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Edie Nadelhaft"May 27 (8.59pm)" - Motoring Road Highway Landscape Painting2021-2025
2021-2025
$14,500
£11,134.61
€12,773.15
CA$20,374.20
A$22,817.82
CHF 11,905.96
MX$278,709.86
NOK 151,478.51
SEK 142,786.65
DKK 95,324.43
About the Item
Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches
Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds.
Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads.
In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience.
Realism, landscape painting, landscape, night scape, road painting, travel, highway, transport, night scene, contemporary art, motorway, driving, transportation
- Creator:Edie Nadelhaft (American)
- Creation Year:2021-2025
- Dimensions:Height: 36 in (91.44 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:East Quogue, NY
- Reference Number:1stDibs: LU1417216501182
Edie Nadelhaft
Edie Nadelhaft studied painting and art history at The School of the Museum of Fine Arts, Boston, MA & SUNY at Purchase, NY, and received a BFA with honors from Massachusetts College of Art & Design, Boston, MA. Her artwork has been exhibited at art fairs, museums, and galleries throughout the US and abroad. Nadelhaft’s work is in the permanent collections of The Ford Foundation (New York, NY), The University of New Mexico Health Sciences Center (Albuquerque, NM), and Falconworks Theatre for Social Change (Red Hook, NY) and has been written about in The Detroit News, The American Scholar, Domino Magazine, Juxtapoz, The Washington Post, The New York Times and Wall Street International. Awards & residencies include The Edward F. Albee Foundation (Montauk, NY), The Artist in Residence at Platte Clove (Elka Park, NY), Artist in Residence at The Visible Vault, Yellowstone Art Museum (Billings, MT), Fine Arts Painting Department Merit Award, Massachusetts College of Art, (Boston, MA), and the Combined Jewish Philanthropies Academic Scholarship, (Boston, MA). Edie Nadelhaft has lived and worked in Lower Manhattan, New York City, since 1998.
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By Edie Nadelhaft
Located in East Quogue, NY
Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches
Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds.
Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads.
In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience.
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Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads.
In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience.
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