Edward PoveyGreen Proto Writing
About the Item
- Creator:Edward Povey (1951, British)
- Dimensions:Height: 37 in (93.98 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Atlanta, GA
- Reference Number:1stDibs: LU155528321082
Edward Povey
Born in 1951, Edward Povey studied arts throughout the 1970s at both the Eastbourne College and the University of Wales. In the late 1990s, he was invited to join the Royal Cambrian Academy of Art and began to be shown in museums both in Britain and the United States. From 2008 to 2010, he entered a period of transition in which he moved to the United States. Povey's familiarity with Central Texas began in the early nineties when he paid a visit on the invitation of one of his sons' friends. “I met six people, who all said, ‘You've got to come to dinner, and you must come and see us, and this and this,’” Povey recalls. “Then I’d come down and go to dinner with three of them, and each time there would be six more people who would say, ‘Hey, you really have to do this and this.’” With every visit, Povey’s circle of Austin friends kept expanding geometrically and with it the number of people who were also interested in his artwork. “It just sort of grew and grew, because I was doing these kinds of Gertrude Stein-y things,” says Povey. “And through those, I got some really fervent collectors, collectors who started out timidly and then became just obsessed. One of the biggest collections in the world now — it later moved up to the Panhandle, but there are about 60 works in that one collection.” In the fall of 2018, Povey, along with his wife and artistic partner Tolar Schultz, returned to the UK to care for his elderly mother in the London countryside.
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Artist Comments
Artist Valerie Berkely presents a fiery sunset above thick silhouetted trees. The warm rays of the sun brighten the landscape with cooling hues of violet spreading across the forest floor. With her finger painting technique, Valerie uses transparent oils on top of gold iridescent acrylic textures creating a luminescent glow. It results in a captivating image with a gentle flow of movement.
About the Artist
Valerie Berkely uses her finger tips as brushes to create her abstract paintings. For Valerie, the art is all about the process, the paint, her mood, and the moment. She admires the artist Wolf Kahn, who once said, “the picture is the conclusion of an experiment in which the hint of an image becomes actuality." Like Kahn, Valerie’s paintings combine pictorial landscapes with painterly abstraction. The vibrant primary colors capture the hues of the sun rising and setting, and the texture of her fingers across the surface divides sea, land, and sky. There is something very dreamy about these works, exemplified by their color, texture, and atmospheric quality. Valerie’s first “art epiphany†was seeing Seurat's La Grande Jatte at the Art Institute of Chicago. “Bowled me over! I actually fell down. And I knew I was to become a painter.â€
Words that describe this painting: small, trees, sunlight, sun, sunset, oilpaint, nature, forest, impressionism, etching, impressionism, nature, oil painting, purple
Golden Glow...
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