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Ellen HartSea Shadow #103 Oil/Canvas, Light & Shadow, Underwater Landscape (Spiral Sun)2008
2008
$1,650
£1,267.04
€1,453.50
CA$2,318.44
A$2,596.51
CHF 1,354.82
MX$31,715.26
NOK 17,237.21
SEK 16,248.14
DKK 10,847.26
About the Item
This Underwater World series is inspired by the oceans. Most of the works are specifically inspired by a set of tidal pools I found at the edge of the Pacific Ocean on the west coast of Vancouver Island at a beach called Botany Bay in Port Renfrew, British Columbia. The tidal pools, only visible at very high tides, are each little evolving worlds.
Sea Shadow #103 is by artist Ellen Hart. Sea Shadow #103 investigates the ubiquitous patterns of light, shadow and reflection that we all experience daily, but that we rarely stop to notice. The works reflect a perceptual duality: a tangible, distinct moment and place when the source pattern is found, intertwined with the fleeting and ephemeral nature of time. As light and atmospheric conditions shift, my source patterns morph, move and change.
The other similar paintings in the series are shown here and can also be purchased. The gallery can put together a package deal to save on shipping etc.
This can be seen as an underwater landscape focusing on light and shadow. Light at the Bottom is part of the Underwater World series of abstract landscape paintings.
Gallery Wrapped so no need for a frame. This oil painting is 30 x 24 inches.
- Creator:Ellen Hart (American)
- Creation Year:2008
- Dimensions:Height: 30 in (76.2 cm)Width: 24 in (60.96 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Houston, TX
- Reference Number:1stDibs: LU1405210144082
Ellen Hart
Statement My paintings investigate the ubiquitous patterns of light, shadow and reflection that we all experience daily, but that we rarely stop to notice. The works reflect a perceptual duality: a tangible, distinct moment and place when the source pattern is found, intertwined with the fleeting and ephemeral nature of time. As light and atmospheric conditions shift, my source patterns morph, move and change. I am challenged to capture this relationship between the perceived and the barely sensed: the concrete world influenced by the inevitable transformation of time and spirit.
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