Emile Rommelaere

A View Of Bruges, Wooden Bridge, Emile Rommelaere, Bruges 1873 - 1961 Weskapelle

1873 - 1961

Along the Lake Keller Adolphe Brussels 1880 – 1968 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 51 x 61 cm Biography: Keller Adolphe was born on June 21 in 1880 in Brussels. He was a post-Impressionist painter of genre scenes and flower still lifes, but with a preference for landscapes. He was also draughtsman, watercolourist and pastelist. He studied at the Academies of Fine Arts in Brussels and Sint-Joost-Ten-Node with master teachers P. Braeke and H. Ottevaere. In 1910 he took part in the great Brussels Exhibition. He often paints around the Red Cloister (Auderghem) on the edge of the Sonian Forest, where he settled in 1934. He also painted in the South of France, in Saint-Tropez. Keller was a chairman of the Alfred Bastien...

A Coastal View with Agave Stappers Julien Chenee 1875 – 1960 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 33,50 x 42 cm, frame size 44 x 52,50 cm Biography: Stappers Julien was born in Chenee, Belgium in 1875. He was a painter of landscapes and town views but is most noted for his still life and florals and southern landscapes. Sunny colour palette and impressionist rendition. From 1894 – 1899, he was a student of De Vriendt...

Laura Woodward Gloucester Harbor, circa 1880 Signed lower left Oil on canvas 18 x 24 inches Provenance: Private Collection, United Kingdom Priory Fine ...

Outstanding Scottish landscape from the late 19th to early 20th century oil on canvas. Born in Scone, Frazer would participate in the growth and development of Scottish landscape painting during the late 19th and early 20th centuries. Long desiring to compete with the artistic endeavors of England, Scotland was making sure to make its mark, investing heavily in its artists. Indeed, Frazer would attend the acclaimed Royal Scottish Academy to receive his art education, intended to compete with English schools such as the Royal Academy in London. When his studies were complete, he would then base himself out of Edinburgh as he pursued a professional career. Edinburgh was and remains, the art capital of Scotland, and there was no place better for budding artist to plant their roots. Frazer’s work is a prime example of the growing influence of impressionism on Scottish landscape art...