Esther Eddy Hasting

Esther Eddy Hasting 'Whispers of Autumn Light' landscape painting

Richard Heichberger (American, B. 1945) Dawn in the High Country, 1990 (Big Bear) Oil On Canvas Signed lower center Titled and dated in frame plate and on the verso Canvas: 12 X 15 ...

Brian Blood (American, b. 1962) Monterey Bay, 2000 Oil on canvas board Signed lower right: BB signed, dated, and titled verso: Brian Blood, 2000 Monterey Bay 9in H x 12in L In a silvered gilt frame with linen mat and moulding: 17 1/4in H x 20in L Brian Blood is a resident of Pebble Beach, California. He began his professional life as a graphic artist and art director in Boston, Massachusetts. He then came to California to attend the Academy of Art College in San Francisco for both undergraduate and graduate studies. In 2003, Blood and his artist wife, Laurie Kersey...

Edward Glafke (American 1925 - 1997) Before Big Sur Late 20th C. Oil on canvas Signed 'Edward Glafke' lower left Signed and titled on the verso Canvas: 20in H x 24in L In a giltwood ...

Edward Glafke (American, 1925-1997) Carmel River Oil on canvas Signed lower left Titled on the verso Canvas: 20in H x 24in L In a vintage giltwood frame: 24in H x 27.5 in L x 1.5in D...

Lake Street, c. 1920 -30s, oil on board, 12 x 9 inches, signed lower right and verso, titled verso About the Painting At the center of Oscar Daniel Soellner’s Lake Street, we see the stairway leading to an elevated railway station on what is now Chicago’s Green Line route. When its first section opened in 1893 as the second permanent elevated rapid transit line in Chicago, this route was known as the Lake Street Elevated Railroad. Chicago’s “L,” like the New York subway and rapid transit system, played an instrumental role in the development of the urban economy and the overall look and feel of the city. The formal aspects of urban railroads and the role they played in efficiently moving large number of everyday citizens across America’s growing metropolises were catnip for many American Scene painters during the first half of the 20th Century. Here, Soellner uses the techniques of the impressionists and the palette of the Ash Can School, to convincingly depict a classic Chicago scene...

Walt Kuhn (1877-1949)was associated with the art group known as "The Eight" and with Arthur B. Davies, was a the key figure in forming the American Association of painters and Sculp...

Charles Caryl Coleman (Buffalo 1840 – Capri 1928), Peasant woman at work in the fields of Capri (1901) Oil painting on canvas 35 x 49 cm, signed, located and dated Capri 1901 lower ...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...