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Eugene Massin
"House of Charleston" Modern Abstract Landscape Painting of a Victorian House

1951

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Abstract Impressionist Cool Toned Lighthouse & Barn Seaside Landscape Painting
Located in Houston, TX
Abstract landscape blue toned gouache painting on paper depicting a seascape with a white lighthouse and a red barn, possibly in New England. Signed by artist at bottom right. Matted...
Category

20th Century Abstract Impressionist Abstract Paintings

Materials

Gouache

“Near and Far Dancers” Modern Abstract Blue and Green Toned River Landscape
Located in Houston, TX
Modern abstract blue and green toned landscape painting by American artist Jane Tate. The work features an open field dotted with tranquil rivers and birds f...
Category

Early 2000s Modern Landscape Paintings

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“Sunrise- Mountain Pools” Modern Abstract Blue and Yellow Toned Landscape
Located in Houston, TX
Modern abstract blue and yellow toned landscape painting by American artist Jane Tate. The work features an open field dotted with tranquil ponds and the sun...
Category

Early 2000s Modern Landscape Paintings

Materials

Ink, Watercolor

“Falls: Mayfield Lake” Black, White, & Gray Modern Abstract Waterfall Landscape
Located in Houston, TX
Modern abstract black, white, and gray landscape painting by American artist Jane Tate. The work features a central waterfall cascading down to the pools bel...
Category

Early 2000s Modern Landscape Paintings

Materials

Acrylic, Ink, Watercolor

"Eddyville" Watercolor Small Town Landscape Signed Mais
Located in Houston, TX
Naturalistic style landscape of a small town in a valley. The work is signed by the artsit in the bottom corner. The work is framed in a tan frame with a white matte. Dimensions with...
Category

Late 20th Century Naturalistic Landscape Paintings

Materials

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"The Hustle of the Big City" Naturalistic Landscape
By David Halbach
Located in Houston, TX
Country townscape with figures walking along the fronts of the buildings. The work is signed by the artist and had a plate attached to the frame. It is framed in a wooden frame with ...
Category

1980s Naturalistic Landscape Paintings

Materials

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Located in Arp, TX
Donald Stacy "Mound Street" c. 1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate For sale is a striking black and white painting titled "Mound Stre...
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1950s "Purple Sky Landscape" Mid Century Abstract Landscape Painting
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Bearnice Fisher "Purple Sky Landscape" 1978 Gouache on paper 30" x 22.5" unframed Signed and dated lower right in pencil Bearnice Fisher lived and worked in NYC
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Yellow the Colour of the Sun Watercolour on Paper Painting by Rosie Phipps, 2022
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Yellow the Colour of the Sun by Rosie Phipps [2022] Yellow the Colour of the Sun is an original watercolour and gouache on paper by Rosie Phipps, sold mounted. Featuring her gestura...
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The Autumn Equinox With Its Hunters, Rosie Phipps, Landscape Painting under $500
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Large Hudson River Figurative Modernist Landscape Oil Painting Edward Avedisian
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...
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Mediterranean Costal Town (South of France)
Located in Wilton Manors, FL
Charles Evans (1907-1992) Mediterranean Costal Town, 1932. Gouache and watercolor on paper. Sheet measures 8.5 x 10 inches; mounted in frame measuring 8.5 x 10 inches. Signed and dated lower left. Charles Evans was a modernist known for his abstract style of painting. He studied at New York's Art Students League and Parsons School of Design, and later in Paris with Fernand Lger at the Acadmie Moderne. In 1930, Evans and his wife spent a year living in what was Paul Cezanne's studio in Aix-en-Provence, France. The following year, Evans purchased the old silk mill in New Hope and became involved in the area's modernist movement, joining the Independents in 1932. By 1935, he began to work collaboratively with Louis Stone, whom he had met in 1929 while studying with Hans Hofman in Saint Tropez, and with Charles F. Ramsey, teaching art classes and working on the Cooperative Painting Project. Every week, the three were joined by the abstract painter, Lee Gatch, in discussions at Ledger's Inn in Lambertville. In 1948 Evans co-founded the New Hope Gazette with Walter M. Teller. The same year he created set designs for St. John Terrell's Lambertville Music Circus. He also designed sets for the Bucks County Playhouse and Philadelphia's Playhouse in the Park. He later served as Set Designer for the Fred Miller...
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