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G. Harvey"Smoke Barrel" TEXAS HILL COUNTRY LANDSCAPE w/ SHACK HIS FINEST LANDSCAPE 30x401974
1974
About the Item
G. Harvey (Gerald Harvey Jones)
(1933-2017)
San Antonio, Austin, and Fredericksburg Artist
Image Size: 30 x 40
Frame Size: 42 X 52
Medium: Oil on Canvas
1974
"Smoke Barrel" Known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So the American West is not only the artist's inspiration but his birthright.Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career.Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry.The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books.Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg.It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is non more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master.Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horses hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary west art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent and which constitutes something special and basic to fine art expression. Harvey is a soft-spoken and unassuming man who cares deeply about what he paints without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. So the American West is not only the artist's inspiration but his birthright.Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career.Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives.Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there.He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York.It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey.Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter honored him with a Distinguished Alumni Award. One of Harvey's paintings was featured on the cover of Smithsonian Institution's 150th anniversary engagement book. He now has four books published, and resides with his family in The Texas Hill Country.Integrity, strength, courage, faith, heritage - these are compelling words that have often been used by collectors and art critics alike to describe that intrinsic value that courses through every original painting or sculpture by artist G. Harvey.Whether drawing inspiration from his own deeply rooted Texas heritage or his world travels with wife Patty, the human experience is fully revealed in his art.He is often credited with technical brilliance as his goal is to approach each subject with discipline, maturity and artistic integrity. Yet beyond this vast and well-schooled knowledge, is a deeper set of values, an inner luminosity that transcends time and place, evoking familiar sights, sounds, moods and emotions.Harvey grew up in San Antonio, Texas. He resides now in Fredericksburg, Texas where he lives in a 150 year old stone home built by German settlers.Lyndon Johnson introduced his works to John Connally who presented a G Harvey original to the governors of four Northern Mexican states.He celebrated a one-man show at the Smithsonian Institution entitled The All American Horse .Harvey has always believed that history lives through art including the epic struggle between the states, the western migration, the brief time when horses and automobiles clattered across cobblestones together. He is faithfully able to capture the drama and feeling of such a moment in time.
Please view my 1stdibs store front for other Great Vintage Texas Paintings & Fine American Art. We carry Vintage, Mid Century & Contemporary
- Creator:G. Harvey (American)
- Creation Year:1974
- Dimensions:Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)Depth: 4 in (10.16 cm)
- More Editions & Sizes:Image Size: 30 x 40 Frame Size: 42 X 52Price: $96,000
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:A stunning painting. Please view my 1stdibs store front for other Great Vintage Texas Paintings & Fine American Art. We carry Vintage, Mid Century & Contemporary.
- Gallery Location:San Antonio, TX
- Reference Number:1stDibs: LU769316038622
G. Harvey
Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by Harvey and became the genesis of his art. Known for paintings closely linked in mood and subject matter to Edouard Cortes, G Harvey created romanticized street scenes of the turn of the century towns in America. Rain slick streets reflect urban lights, and the weather, which was obviously cold. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earlier work. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities and the streets of Dallas, which once echoed with the sound of horses hooves and the jingle of spurs. Historic photographs reveal what it looked like, but artists like Harvey can enable a viewer to experience the mood and flavor or the time. In his paintings, the viewer only sees the physical elements of his subject but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master.
Harvey painted the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leaders and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of many awards and the subject of three books. Harvey was a soft-spoken and unassuming man who cared deeply about what he painted without becoming maudlin or melodramatic. Before his death, Harvey lived in Fredericksburg, Texas, with his wife Pat in a 150-year old stone home built by German settlers. His studio and residence were nestled within the Historic District of Fredericksburg.
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By Robert Jenkins Onderdonk
Located in San Antonio, TX
Robert Jenkins Onderdonk (1852 - 1917) San Antonio Artist Toluca, Mexico painting. Mexican Street Scene
Image Size: 11 x 8 Frame Size: 15 x 12 Medium: Oil "Toluca, Mexico" Circa 1912
This piece was painted in 1912 when Robert & his wife went to visit his son who was working in Mexico City at that time. Robert Onderdonk is considered the "Dean" of Texas Painters.
Robert Jenkins Onderdonk (1852 - 1917)
Robert Jenkins Onderdonk is noted for his landscape and portrait paintings and also for his fine art teaching.
Onderdonk was born in Catonsville, Maryland in 1852. He was the father of Robert Julian Onderdonk and Eleanor Rogers Onderdonk, also distinguished Texas artists. He received an academic education at the College of St. James, Catonsville, followed by studies at the National Academy of Design in 1872 under the instruction of Lemuel Everett Wilmarth. In 1875, Onderdonk attended Art Students League of New York and received instruction from Walter Shirlaw, James Carroll Beckwith and William Merritt Chase.
Onderdonk moved to San Antonio, Texas in 1878 where he made a living teaching and selling his paintings. In 1889 he moved to Dallas, where he painted several portraits for the Huburt Portrait Company, followed by employment with the Art Students League of Dallas. In 1896, Onderdonk returned to San Antonio, Texas where he continued to paint until his death in 1917.
Onderdonk was a member of the Allied Artists of America; Salmagundi Club, New York, and the San Antonio Art League. Exhibitions included the Annual Exhibition of the State Fair of Texas, Dallas; Dallas Art Association; Louisiana Purchase Exposition, St. Louis; Annual Texas Artists Exhibition, Fort Worth; Annual Exhibition, National Academy of Design, New York, and the San Antonio Art League.
Source:
John and Deborah Powers, "Texas Painters, Sculptors, and Graphic Artists"
Robert Jenkins Onderdonk was born at St. Timothy's Hall, Catonsville Maryland, in 1852. He had a very thorough academic education and was always sketching family members, classmates and landscapes on the back of his school books. This sketching ethic was a process he subscribed to his entire life, always carrying a sketch book with him where ever he went, like a camera of today.
Deciding to make art his profession, Robert moved to New York. He was not only a part of the academic beginnings of American art while studying in New York at the renowned National Academy of Design in 1870, but also one of the first student members, under the instruction of Lemuel Everett Wilmarth, at the Arts Students League.
At the League, Robert also studied and honed his craft with other teachers including Walter Shirlaw, William Merritt Chase and James Carroll Beckwith. Some of his classmates included: George Inness, Jr., Frederick Stuart Church, John Henry Twachtman and a Texan from San Antonio named Edward Grenet. Robert was lured to Texas in 1879 by his childhood friend and rancher, William Negely and by stories he read in the tabloids of the day that touted Texas as the "Promised Land."
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Robert was part of and organized several of the first art clubs in Texas, further helping to develop an interest in Texas art in the State and nationwide, but also giving Texas and American artists places to display their works, win awards and achieve much needed recognition. He helped organize "The Brass Mug Club," a revered group of San Antonio artists that met on Sundays to enjoy friendship and go into the Texas Hill Country and paint. Members included Julian Onderdonk (Robert's son), José Arpa, Leo Cotton, Rolla Taylor, Tom Brown and Ernst Raba.
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While living in Dallas from 1889 to 1895, and in order to obtain commissions, Robert organized the first Dallas art school, the Dallas Arts Students League, where he was president and instructor. In 1905, Robert was chosen to select artists from New York and Texas to be represented and judged at the Dallas Fair, which later became the State Fair of Texas.
In 1901, Robert was commissioned by well-known Texas historian and writer, James T. DeShields, to paint a large historic painting of the Alamo battle. He used his family, friends and fellow artists for this painting, including his son. Robert even put himself in the painting, as one of the Alamo Defenders, taking a mortal shot from the enemy and falling backwards. The painting took three years to complete. The Fall of The Alamo was first exhibited at the St. Louis Worlds Fair in 1904.
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When Robert Jenkins Onderdonk died in 1917 at the age of sixty-five at his home in San Antonio, he was known as the dean of Texas artists. His contributions to Texas art and the early artists of Texas were well-known and well-respected.
Written by Peter C. Rainone, as published in American Art Review, June 2008
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