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George Sanders Bickerstaff'Southern California Desert Landscape', Art Institute of Chicago, Who Was Who
$3,600
£2,731.60
€3,123.34
CA$5,028.22
A$5,590.70
CHF 2,919.16
MX$68,052.44
NOK 37,247.15
SEK 34,898.80
DKK 23,310.04
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About the Item
Signed lower right, 'Bickerstaff' for George Sanders Bickerstaff (American, 1893-1954) and painted circa 1950.
This California landscape painter was born in Arizona and studied at the Art Institute of Chicago. He lived and painted in Texas before moving to California in 1922 where he spent significant time painting and exhibiting both in San Diego and Los Angeles, where he exhibited frequently with Paul Lauritz.
George Bickerstaff exhibited widely and with success and his work may be found in numerous private and public collections including the the permanent collection of the Museum of Buffalo Gap, Texas. The artist is listed in all relevant art reference works including 'Who Was Who in American Art' and 'Artists in California 1786-1940'.
Reference:
Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, page 309; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 103; et al.
- Creator:George Sanders Bickerstaff (1893 - 1954, American)
- Dimensions:Height: 25 in (63.5 cm)Width: 30 in (76.2 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor losses, minor restoration, unframed; shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU34411414642
George Sanders Bickerstaff
Bickerstaff was active/lived in California, Arkansas. George Bickerstaff is known for Landscape, coastal views, still life, western painting. Landscape painter. Born in Marianna, Arkansas on April 12, 1893. Bickerstaff was a self-taught artist except for a brief period at the Art Institute of Chicago. He led a peripatetic existence before moving to California in 1922. His early years were spent in San Diego, Los Angeles, and Van Nuys. He exhibited often in the latter with Paul Lauritz. A prolific oil painter of mountain and desert scenes, his landscapes often include eucalypti as well as rolling hills of California wildflowers. Occasionally, he painted seascapes, still lifes, and western and Indian scenes. He was adept at promoting his own work and sold many of them to decorate hotel lobbies, hospitals, mortuaries, and rest homes. He died in Ukiah, California on July 12, 1954.
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View All'South-Western Landscape', Art Institute of Chicago, Whitney Museum, WPA, Odessa
By Todros Geller
Located in Santa Cruz, CA
Signed 'Todros Geller' (Russian-American, 1889-1949) and dated 1937
An elegant and painterly, southwestern landscape painted when the artist was 48 years old.
Born in Vinnytsia, now in the Ukraine, Todros Geller first studied in Odessa before moving to Canada. He continued his studies in Montreal (1906) and, subsequently, at the Art Institute of Chicago with George Bellows and John Norton. Geller exhibited widely and with success including, from 1925, at the Chicago Art Institute as well as at the Riverside Museum (New York, 1939), the New York World's Fair (1939) and at the Whitney Museum of American Art (1941) in addition to other national institutions.
Geller was the recipient of numerous prizes, medals and juried awards and his work may be found in private and public collections including the permanent collection of the Art Institute of Chicago. He was a member of professional associations including the Artist's Union, the Artist's Congress and the Chicago Society of Artists, which he also served as president. During the the 1930's, Geller was an active participant in the Federal Art Project (WPA) in Illinois and his large-scale murals and stained glass windows may be found in Chicago and Detroit as well as Tel-Aviv. We are pleased to offer this elegant, South-Western landscape painted when the artist was 45.
Reference:
Todros Geller Archives, Spertus Museum of Judaica, Chicago; Sparks, Esther. "A Biographical Dictionary of Painters and Sculptors in Illinois 1808-1945." Diss., Northwestern University, 1971, p. 390; Yochim, Louise Dunn. Role and Impact: The Chicago Society of Artists. Chicago: 1979, pp. 28, 44, 238; Mavigliano, George J. and Richard A. Lawson. The Federal Art Project in Illinois 1935-1943. Carbondale: Southern Illinois University Press, 1990, p. 120; Dijkstra, Bram. American Expressionism: Art and Social Change 1920-1950. New York: Harry N. Abrams, Inc., 2003, p. 155. Chicago Modern...
Category
1930s Modern Landscape Drawings and Watercolors
Materials
Watercolor, Gouache, Illustration Board
'California Landscape', Royal Danish Academy, Art Institute of Chicago, LACMA
By Ejnar Hansen
Located in Santa Cruz, CA
Signed lower left, "E Hansen" for Ejnar Hansen (American, 1884-1965) and dated 1936.
Ejnar Hansen studied at Copenhagen's Royal Academy of Art before moving to the United States in 1914 and settling in Pasadena in 1924. An ardent proponent of modernist color theory, Hansen became an influential teacher at the Chouinard School, the Otis Art Institute, the John Muir College, and the Pasadena School of Fine Arts.
He exhibited widely and with success, including in Denmark and at the Art Institute of Chicago, the Los Angeles County Museum of Art, the Brooklyn Museum, the 1939 World's Fair and at the Cincinnati Museum. Ejnar was a member of the Academy of Western Painters, the Los Angeles Art Association, the California Art Club, the California Watercolor Society, Pasadena Society of Artists and the Foundation for Western Art. Ejnar Hansen's works may be found in numerous public and private collections including LACMA, the Pasadena Art Institute and the San Diego Fine Art Society.
Reference:
Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 484; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, p. 1449; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Vollmer Allgemeines Lexikon der Bildenden Künstler des 20. Jarhhunderts, Hans Vollmer, Deutscher Taschenbuch Verlag 1992, Vol. 2, p. 371; Revyen, Chicago 23.12.1916; 17.2.1917; 8.12.1917; 2.2.1918; 16.3.1918; Vore Herrer, okt. 1918; Internat. Studio, juli 1920; Ekstrabl. 14.2.1921 (G. Nygaard); Tidens Kvinder, maj 1934; Fr. Graae: Fra Sydhavsøerne, 1934, 133-45; Art Digest, aug. 1937, dec. 1944, maj 1945; Da. Tid., Chicago 3.9.1937; Arts and Arch., apr. 1938; P. Uttenreitter: Olaf Rude...
Category
1930s Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Gouache, Laid Paper
'Grand Canyon, Evening', Large Western landscape oil, United Scenic Artists
Located in Santa Cruz, CA
Signed lower right, 'W.H. McConnell' (American, 19/20 century) and dated 1936.
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'The Mid-Day Rest', Western American Landscape oil, Who Was Who in American Art
By Charles Damrow
Located in Santa Cruz, CA
Signed lower right, 'Charles Damrow' for Charles Damrow (American, 1916-1989) and painted circa 1940; additionally signed verso on stretcher, 'Chas. Damrow'.
An idyllic, South-weste...
Category
1960s American Realist Landscape Paintings
Materials
Canvas, Oil
'Santa Barbara Landscape', Paris, Académie Julian, LACMA, Pasadena, California
Located in Santa Cruz, CA
Signed lower left, 'J. W. Nicoll' for John W. Nicoll (American, 1865-1943), titled lower left, 'Santa Barbara' and painted circa 1925. Sheet dimensions: 9 x 12.75 inches.
A luminous, early twentieth-century landscape showing a picturesque view of a Spanish style cottage set in a lush garden with a view beyond towards the Santa Ynez Mountains rising towards clouded, blue skies. An unusual and elegant view of old-time Santa Barbara that retains much of its crispness and freshness of color.
Born in New York, John Nicoll first studied with his uncle, the landscape painter, James Nicoll. He subsequently moved to Paris where he furthered his education for three years under Bouguereau and Ferrier at the Académie Julian. He then continued on to Seville where he studied for three years at the Academia Real, spending his winters traveling and painting in North Africa.
By 1899, Nicoll had settled in Pasadena where he painted, exhibited and taught drawing at the College of Fine Arts from 1906-1935. Upon his retirement, he moved to San Diego where he continued to paint and exhibit until his death in 1943. Over the course of a long career, James Nicoll exhibited widely and with success including at the Stickley Building, Pasadena, 1899; Blanchard Hall, Los Angeles, 1899; the Louisiana Purchase Exposition, St Louis, 1904; the Ruskin Art Club, Los Angeles, 1904; Lewis & Clark Expo Portland, 1905 (Bronze Medal); the Painters Club, Los Angeles, 1906-09; the Nicholson Gallery...
Category
1920s American Impressionist Landscape Drawings and Watercolors
Materials
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'California Sunset, Lilac and Rose', Palm Springs, Golden Gate Exhibition, LACMA
Located in Santa Cruz, CA
Signed lower right, 'Wm. P. Krehm' for William Krehm (American, 1901-1968) and painted circa 1940.
A period oil painting showing a mountainous, desert landscape at dusk, most likely a view of a Santa Ana River tributary in Southern California's Inland Empire...
Category
1940s Impressionist Landscape Paintings
Materials
Oil, Board
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