Georges Blouin

Large Colorful French Oil Painting Greek Island Landscape Flowers George Blouin

DAVID KESSLER (American born 1950 - ) Greyed Magic #2 (Water and Light Series) Acrylic on canvas Hand signed and titled with artist's studio stamp on verso 60 inches x 84 inches David T. Kessler was born in Park Ridge, New Jersey in 1950. He attended Arizona State University, where he received the award for Outstanding Graduate in Studio Art in 1972. In 1973, David was one of 12 painters accepted into the graduate program at The San Francisco Art Institute, where he received his M.F.A. in 1975. He is well known for his holographic airbrush paintings on aluminum. His paintings have been exhibited internationally since 1977, with shows in Tokyo, Strasbourg, Chicago, Los Angeles, Miami, Scottsdale, and New York. Kessler's paintings are in the permanent collections of The Strasbourg Contemporary Museum of Art, The Brooklyn Museum, The Minnesota Museum of Art, The Museum of the Rhode Island School of Design, The Santa Barbara Museum, The Barrington Art Center, and others. Within Arizona, his work is in the collections of The Phoenix Art Museum, The Scottsdale Center for the Arts, The Tucson Museum of Art, Arizona State University Art Museum, and Northern Arizona University Art Museum. Photorealism is a genre of art that encompasses painting, drawing and other graphic media. An American art movement that began in the late 1960s and early 1970s. Photorealism evolved from Pop Art as a counter to Abstract Expressionism as well as Minimalist art movements. Though Photorealists share some aspects of American realists, such as Edward Hopper, they tried to set themselves as much apart from traditional realists as they did Abstract Expressionists. Photorealists were much more influenced by the work of Pop artists and were reacting against Abstract Expressionism. The word Photorealism was coined by Louis K. Meisel in 1969 and appeared in print for the first time in 1970 in a Whitney Museum catalogue for the show "Twenty-two Realists." It is also sometimes labeled as Super-Realism, New Realism, Sharp Focus Realism...

John Wenger (1887-1976) celebrated easel painter and stage set designer whose career included 25 solo shows in the USA, Canada, and Europe. He created set designs for such plays as "Ile", "Petrushka", "Funny Face", and Rhapsody In Blue". John Wenger's art is included in many museums in and out of the USA. John Wenger was born on June 16, 1887 in Elizabethgrad, Russia. Wenger was born an artist, and at the age of three was painting (playing) with brushes and paint while his father, a local artist who painted scenery for the traveling theater, worked on drop scenes. His mother disapproved of this and tried to keep her son from playing with these "toys." When John Wenger was several years older, he attended Gihnazia, which is equivalent to high school but on a college level. Throughout his education Wenger excelled in visual arts. The staff at the Gihnazia school encouraged him to apply to the Imperial Art Academy of Odessa for a scholarship. At the age of thirteen, John Wenger became a student at the academy. For Wenger, this was his first time away from home and he found it to be difficult for several months. When he came to America in 1903, John earned his living by designing ladies costumes and jewelry at his uncles store in Newark, New Jersey. He then resumed his art studies at Cooper Union and The National Academy of Design. While in New York, Wenger found an interest in how music and theater connected to art. He rebelled against the heavy sets and hard lines of stage scenery...

A Pacific Northwest native, Bauer was born in Vancouver, Washington, and has maintained a studio in Portland, Oregon since 1976. She attended the Pacific Northwest College of Art and the University of Oregon where she received her M.F.A. Since that time, she has exhibited her work throughout the Northwest while teaching art as an associate professor at Marylhurst University. Bauer applies her modernist approach to her artwork, and her paintings become a sort of balancing act in reconciling her subjects and her techniques. Teetering between abstraction and representational, Bauer's houses are depicted as simplified forms, exploiting a universal iconography. The recognizable elements in her artwork – trees, buildings – are unconventionally depicted in wide patches of overlapping color, "pulling each painting away from literal interpretation." Marlene Bauer's abstractions stem from her interest in the visual dynamics of a quick impression of a landscape from a moving car or a glance out a window. The artist has exhibited her work in solo exhibitions at the Laura Russo Gallery, the Elizabeth Leach Gallery (both in Portland), and the Davidson Galleries in Seattle. Bauer's artwork is included in many of the region's public and private collections including the King County Regional Justice Center, Bank of America, the City of Portland, the City of Seattle, the Oregon State...

CLAUDE GAVEAU (1906 - 1970) A beautiful and large signed oil on canvas by the important french painter Claude Gaveau. The work is signed upper right and unlined and unrestored on its original canvas. Title: “Composition” Signature: Signed upper right Medium: Oil on original canvas Provenance: Private french collection Size: c. 24 x 29 inches unframed Claude Gaveau (1906 - 1970) is a French painter born in Neuilly-sur-Marne in 1940. The painter was born near Paris and studied there as well as in Belgium. He comes from a family of artists, his grandfather was the creator of the Jardin des Plantes in Paris. He is passionate since very young about painting and entered the Ecole des Arts Appliqués in Paris in 1955 where he studied mural art for five years, stained glass, tapestry, mosaic and fresco. In 1960, he studied at the Ecole Supérieure des Beaux-Arts in Paris, becoming equally accomplished in oil painting, watercolor, drawing and lithography, pastel and gouache. Influenced by great Post Impressionist painters such as Paul Cézanne, George Braque and Raoul Dufy, Gaveau gets inspired as well by music and lyricism. His talent was quickly recognized, in 1963 he won his first prize and obtained a scholarship from the Academy of Antwerp, Belgium which allowed him to study Flemish painting in Brussels. In 1965, with only 25 years, he made his first solo exhibition at the Angle Aigu Gallery in Paris. His career took a real turn in 1968 when he was nominated for the "la Critique Parrainé" Award by the Saint Placide Gallery in Paris. A recurrent traveler, the landscapes he observes all around the world allow him to broaden his artistic palette. Other exhibitions of his work followed during the 1960’s and 1970’s in France with the Galerie Vauban in Dijon in 1967, 1968 and 1970; with the Galerie Saint Placide in Paris in 1968; with the Galerie Marc Hudier in Belfort in 1970; and three one-man shows with the Galerie La Belle Gabrielle in Paris in 1972, 1975 and 1978. In 1980 Claude Gaveau had his first one-man exhibition with Wally Findlay Galleries...

A large format, unique oil painting on stretched canvas, ready to hang. The artworks depicts Birds of Paradise trees or Ikhamanga. These old Ikhamanga trees are from a garden in St F...

A medium sized unique oil painting on stretched canvas, ready to hang. A mystical landscape in different shades of blue, framed with a light blue shadow frame. As the artist move th...

A medium sized unique oil painting on stretched canvas, ready to hang. As the artist move through a new passage of her life these “Into the Woods” paintings started to emerge. This...

A medium sized, unique oil painting on stretched canvas, ready to hang. Framing options are available on request.