Gerry Metz

Gerry Metz Original Oil Painting On Board Signed Western Cowboy Horse Artwork

Nakken Willem Carel The Hague 1835 – 1926 Rijswijk Dutch Painter 'Girl with Grapes' Signature: signed lower right 'W. K. Nakken' Medium: oil on panel Dimensions: frame size 25,5 x...

This beautiful oil painting on canvas dates to circa 1840 and is by British Victorian artist William Edward Frost who was noted for his depiction of nudes and feminine beauty. The ov...

This lovely Edwardian exhibited portrait landscape oil painting is by noted Scottish artist James Riddel. It was exhibited at the Royal Scottish Academy in 1909 and again in Glasgow Institute in 1913, entitled The Critics. Painted circa 1909, the painting has the muted tones but varied palette of the Scottish School. The focus of the composition is a young boy and girl stood in the foreground, outdoors, examining a painting in progress on an easel. They look as if they are giving it very careful consideration. The artist's bag, brushes and tubes of paint lie on the grass beneath the easel but he is not in view. The painting is of the countryside and path leading to a collection of dwellings beyond, all bathed in sunshine. The earnestness of the young art critics can be seen in their body language and is very sweet. A really lovely exhibited Scottish Impressionist Edwardian oil painting and an excellent example of Riddel's work. Signed lower right. Provenance. Exhibited at the Royal Scottish Academy 1909 no. 294, entitled The Critics. Exhibited at the Royal Glasgow Institute of Fine Arts 1913 no. 420 entitled The Critics. Aitken Dott & Son (The Scottish Gallery), Castle Street, Edinburgh. Paisley Art...

This superb Scottish Glasgow Girl 1930's portrait oil painting is by noted female artist Jessie M. McGeehan. McGeehan studied at the Glasgow School of art, enrolling at the age of 15 in 1888 and her last recorded attendance was in 1895. While at Glasgow School of Art, Jessie associated with prominent Scottish artists including Margaret Macdonald and Frances MacDonald of the Glasgow Four. She also later studied in Paris. This gorgeous vibrant Scottish School style portrait is just superb. The composition is of a young girl in a blue dress, her sleeves rolled up to her elbows. She has little gold hoops in each ear and a bow in her dark hair. She is gazing at the artist/viewer with dark eyes. She is sat in the foreground with a large wicker basket of purple plums and a couple of heads of garlic clasped on her lap. Above her are branches of a tree, laden with fruit. A line of slender silver tree trunks lead past a bed of orange pumpkins to a whitewashed cottage with a woman standing in the doorway. The sunshine is illuminating the scene and casting strong shadows. The brushwork is bold, the colours vibrant and the dark outlines typical of the Scottish School artists. This is a really charming oil painting by a noted female Scottish artist and one of the best examples of her work. Signed and dated (19)32 upper right. Provenance. Yorkshire estate. Condition. Oil on canvas, 21 inches by 18 inches and in good condition. Frame. Housed in a light ornate frame, 28 inches by 25 inches, in good condition. Jessie Mary McGeehan (1872–1950) was a Scottish artist renowned for her painting and mosaic work, often depicting genre scenes, landscapes and figures. McGeehan was born in Airdrie and her father Patrick was a carriage hirer. An artistic family, Patrick exhibited a painting Royal Scottish Academy in 1879 and the artist Aniza McGeehan (1874–1962) was Jessie's younger sister. Both sisters studied at the Glasgow School of Art, Jessie being enrolled at the age of 15 in 1888 and last recorded as attending in 1895. Their younger sister Mary Catherine (1877–1960), later known as Sister Callista, also attended Glasgow School of Art from the age of nine. Jessie McGeehan also studied in Paris after leaving Glasgow School of Art. McGeehan's work included paintings, pastels, stained glass, mosaics and tapestry designs. She was active from 1892 and exhibited at the Royal Scottish Academy from 1895 with the work Sweet Idleness until 1916. From 1897 McGeehan lived and had a studio at 134 Bath Street, Glasgow, which was shared with Aniza until 1899. By 1936 she had moved to 152A Renfrew Street as advertised in the 'Glasgow Observer'. In 1901 McGeehan exhibited the work The Victorian Era at the Royal Academy in London. McGeehan's 1929 oil portrait of her sister Aniza is in the North Lanarkshire Museums collections. This was one of two oil paintings exhibited in the 1929 Walker Art Gallery Autumn Exhibition. Jessie McGeehan created a glass mosaic panel for St Augustine’s Church in Langloan, Coatbridge. She also created a glass mosaic in fourteen panels depicting the Stations of the Cross for St Aloysius...