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Ginny Williams
Beyond the Clearing

2024

$1,500
£1,113.67
€1,297.73
CA$2,082.48
A$2,329.39
CHF 1,212.23
MX$28,675.58
NOK 15,422.05
SEK 14,468.93
DKK 9,682.38
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About the Item

This piece is an original oil painting on panel by American artist Ginny GC Williams. It was painted en plein air during a painting expedition to Vermont. With vivid light and color, the artist has given us a glimpse through the trees to a long view across a field to the far mountains. Using brushstrokes and drawing into the paint, the piece is reminiscent of Japanese woodblock prints that inspire the artist. The piece is beautifully framed in a handmade curly maple floater frame with contrasting spline joints at the corner. a beautiful presentation. GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles. She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts. "My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects and the life shadows give to a space. Humans are innately creative beings. We create in myriad ways--painting is one of them. I have made pictures for as long as I remember. While I appreciate many kinds of art, for me, the ultimate goal is to make a beautiful painting that show parts of the process--evidence of an individual behind the easel. I love calligraphic brush marks and leaving parts of a picture to the viewer's imagination. I love pairing the realistic with the made-up. In this, we participate in creating art together."
  • Creator:
    Ginny Williams (1976, American)
  • Creation Year:
    2024
  • Dimensions:
    Height: 9 in (22.86 cm)Width: 12 in (30.48 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Wenham, MA
  • Reference Number:
    1stDibs: LU2164215275162

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Sunlight in Autumn
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This piece is an original oil painting on panel by American artist Ginny GC Williams. It was painted en plein air during a painting expedition to Vermont. Catching the waning light of an autumn day, the artist has captured the brilliant yellow of birch trees. The piece is beautifully framed in a handmade curly maple floater frame with contrasting spline joints at the corner. a beautiful presentation. GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles. She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts. "My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects...
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When Tilling Was Over
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This piece is an original oil painting on panel by American artist Ginny GC Williams. It was painted en plein air. Celebrating the agricultural heritage of her New England town, the artist has captured the patchwork of color that comprises a farmscape. The piece is beautifully framed in a handmade maple floater frame with contrasting spline joints at the corner. a beautiful presentation. The overall framed dimensions are approximately 11x11 inches. GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles. She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts. "My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects...
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