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Ginny WilliamsBeyond the Clearing2024
2024
About the Item
This piece is an original oil painting on panel by American artist Ginny GC Williams. It was painted en plein air during a painting expedition to Vermont. With vivid light and color, the artist has given us a glimpse through the trees to a long view across a field to the far mountains. Using brushstrokes and drawing into the paint, the piece is reminiscent of Japanese woodblock prints that inspire the artist. The piece is beautifully framed in a handmade curly maple floater frame with contrasting spline joints at the corner. a beautiful presentation.
GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles.
She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts.
"My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects and the life shadows give to a space. Humans are innately creative beings. We create in myriad ways--painting is one of them. I have made pictures for as long as I remember. While I appreciate many kinds of art, for me, the ultimate goal is to make a beautiful painting that show parts of the process--evidence of an individual behind the easel. I love calligraphic brush marks and leaving parts of a picture to the viewer's imagination. I love pairing the realistic with the made-up. In this, we participate in creating art together."
- Creator:Ginny Williams (1976, American)
- Creation Year:2024
- Dimensions:Height: 9 in (22.86 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wenham, MA
- Reference Number:1stDibs: LU2164215275162
Ginny Williams
Ginny Williams is an American artist currently living and working in New England. Her art training began at an early age when she was given the opportunity to study with working artists as part of her elementary and secondary education. In college, while auditing painting classes on the side, she chose to earn her degree in art history-something she sees as highly valuable to her development and career as an artist. It was during these studies that she gained an appreciation for the broad scope of artistic expression over the centuries. She has a particular fondness for the northern European artists of the 17th and 18th centuries alongside much art of the late 19th century. She finds inspiration in artists’ ability to imbue everyday objects and scenes of daily life with a dignity and meaning above what is gained with a cursory glance. In her work, Williams strives to make pieces both beautiful, thoughtful, and able to speak to contemporary life despite their traditional style. Initially self-taught, Williams studied at several classical ateliers over the course of ten years, learning the methods and materials employed for centuries by artists. Her work has been shown at galleries around the country and she is currently represented at galleries in Atlanta, Cleveland, Portsmouth and Wenham. Williams maintains a studio in Wenham, MA, as well as one in Amesbury, MA, alongside her husband, the painter Donald Jurney. “My work is about little moments of beauty that comprise our existence if we will but pay attention, as well as the things and the relationships that tie us all together as people living, breathing, and experiencing life on the same planet. Whether it is the glint of light on an object; growing things, made objects, or the quiet glance of a figure, I enjoy finding interesting interactions between objects, people, and space. I strive to create a story that the viewer can enter, and interpret alongside me. In this we become partners in the creation of art.”
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