Gino Hollander

Yellow, Black, & Orange Abstract Expressionist Geometric City Landscape Painting

1973

Oil painting with boats and boat house. The artist uses color and line to create the illusion of texture within the painting. Placed in a dark, ...

Neutral toned abstract expressionist painting by contemporary Texas artist Winifred Booth. The work features a blue and tan field of color reminiscent of a beach shore. Signed in the...

Colorful abstract expressionist painting by contemporary Texas artist Winifred Booth. The work features sections of bright yellow and magenta emerging through a field of grey. Signed...

Dark toned impressionist painting by Houston, Texas artist Sha Mo. Abstract painting with blue, green, red, and orange accents depicting landscape with flowing ...

When it comes to abstract painting, the creation date is important. At the height of Abstraction Expressionism, overlooked Academic Artist John Atherton created a wonderfully complex painting that embodies many of the characteristics of what was going on in Mid-Century American Art. The work is simultaneously abstract as it is representational. Like a Bento Box, it's divided into sections by dividers. On close inspection, each section stands on it's own as a beautiful mini-painting yet coalesces as part of the whole. From a distance, it is eye-pleasing, but as the view gets closer and closer, new structures and details gloriously reveal themselves. This is an important painting and not unlike the work of Joaquín Torres-García. It was done in the last year of the artist's life. Signed lower right. Canvas is relined. Framed size: 30 x 41.25. The work is best viewed with top gallery lights to bring out color. Color will look different under different lighting conditions. Atherton exhibited at the famous Julien Levy Gallery in New York and his fine art is mainly associated with Magic Realism. He participated in the seminal 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. The Museum of Modern Art has 4 Atherton paintings in its collection. As an Illustrator, Atherton did covers for the Saturday Evening Post, Fortune and Holiday Magazine...

In this vibrant canvas, I've melded acrylics, oils, oil pastels, and colored pencils to capture the pulsating energy of urban life. The abstract and expressive strokes create a symph...

An abstract oil painting, broad swaths of blue paint poured and spattered onto a raw stretched canvas. White paint has been blended into the blue at the "base" of the composition, ba...

Mixed media on stretched canvas.