Hayley Lever

Between the Red Rocks

Edward Reynolds Kingsbury American, 1855-1940 Fauvist Shore Oil on canvas 20 ¼ by 24 ¼ in, w/ frame 29 ¾ by 33 ¾ in Signed lower left Best known as a painter of landscape, marine and coastal, shoreline views. Kingsbury also specialized in miniature and mural painting. Kingsbury was born in Boston, MA in 1855. He studied at the Massachusetts Normal Art School, Boston Museum School, and Académie Julian in Paris. A resident of Carmel, CA in the 1920s, Kingsbury was associated with the present day life of the art colony at that time along with notable artists such as Mary DeNeale Morgan...

Johannes Schiefer Dutch-American, 1896-1979 Monaco - Monte Carlo Oil on canvas 25 ¼ by 30 ⅛ in, w/ frame 33 ½ by 38 ½ in Signed lower right, titled lower left Johannes Schiefer, pa...

"The Red Cliffs" by Ander Kase (American, 20th Century). Presented in a wooden frame. Titled "The Red Cliffs" lower left and signed lower right in pencil "An...

This artwork titled "Rock in Open Sea" 1964, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 15.25 x 19.25 inches. Framed in original wooden gold and red frame. It is in excellent condition. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...