Hubert Thornley

19th Century seascape oil painting of shipping by moonlight on the Medway

C1880

George Stainton British, (1838-1900) Twilight off Gravesend Oil on canvas, signed & dated 1877, old label verso Image size: 23.25 inches x 35.25 inches Size including frame: 29.25 ...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19.5 INCHES X 17.5 INCHES** Hubert Thornley British, (exh. 1858 -1898) Mouth of the Medway & Rochester on the Medway Oil on canvas, pair, both, signed Image size: 13.25 inches x 11.25 inches (each) Size including frame: 19.5 inches x 17.5 inches (each) An atmospheric pair of seascape paintings of shipping on the Medway by Hubert Thornley. The first is a view of the mouth of the Medway by moonlight and the second is a scene near Rochester on the Medway. Hubert or William Thornley was a painter of coastal scenes and marines who lived in Greenwich and for many years had a studio overlooking the Medway near Rochester in Kent. According to art historian Denys Brook-Hart, he was actually born Charles Thornley and exhibited under this name from an address in Paddington, London. Although called Charles, his best known name was William Thornley. He would also exhibit and sell paintings...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 16.25 INCHES X 22.25 INCHES** Hubert Thornley British, (exh. 1858 -1898) Rochester on the Medway & Moonset Nr Queenborough ...

George Stainton British, (1838-1900) Fishing Vessels off a Harbour Early Morning Oil on canvas, signed Image size: 23.25 inches x 35.25 inches Size including frame: 31 inches x 43 inches A wonderful coastal marine painting of boats off a busy harbour at dawn by George Stainton. A large ship is depicted having weighed anchor and with sails unfurled as a supply boat arrives port side. In the foreground, a group of fishermen can be seen in a rowing boat waiting for their next catch. In the distance, lies a busy harbour, possibly Chatham Dockyard. George Stainton was a marine and landscape artist who was born in Aston, Birmingham in October 1838 to John Stainton and Ann Horton. By the age of 12, he was working as a paper mache painter and then later as a Japanner before becoming a full-time artist. He specialised in painting seascapes and river scenes in the style of Abraham Hulk and was influenced by the Dutch school. He exhibited at the Royal Society of Birmingham Artists from 1865 and also at the Walker Art Gallery, Liverpool. He married Clara Adelaide Mason (née shears), a widow on 8 November, 1866 and together they lived in Addesley Street, Aston. The couple had 8 children and one of their sons Ernest Stainton became a lithographic artist. During the mid to late 1870’s he lived at Walnut Terrace in Kyrwicks Lane in the Sparkbrook area of Birmingham. However, by 1881, Stainton had moved to nearby Moseley Road where many Birmingham artists of the industrial period lived and also took up photography. Sometime during the late 1880’s early 1890’s, he made his final move to Pembroke Villa, 14 St Pauls Road, Moseley Road. He died at his home on 25 April, 1900. Whilst Stainton lived in Birmingham all his life, he travelled around the country painting coastal views of the Bristol Channel, Portsmouth and the Medway, as well as river scenes of the Thames, Tyne and Mersey. He also visited Scotland and Northern France. His works are beautifully detailed and show a masterful understanding of the moods of the weather and movement of the water. His paintings have always been popular when they appear on the art market. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art

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