Igor Shiplin

PASSING STORM ..Igor Shipilin contemporary Russian artist

20011

Roy Petley is a contemporary British plein-air painter known for his impressionistic depictions of British coastal scenes. His lush paint handling is often likened to the works of Jo...

Roy Petley (born 3 April 1950 Petley paints en plein air, which is a French expression meaning “in the open air”, to create his popular works that depict the wide expanse of English beaches and the gentle allure of Venetian landscapes. His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism. Beginning life in a children’s home, he became one of the first artists to open an art gallery in Cork Street, a prestigious street lined with art galleries in London’s Mayfair...

Petley was only seventeen when he returned to England in 1968. At first, he headed for Belfast, Northern Ireland where the Bell Gallery provided support and encouragement for the you...

Roy Petley After the storm as a freshness of colour and lucidity of brushstrokes found in his repertoire ensures his paintings remains exciting to the eye ‘Throughout his life he continued to pursue his objective of reproducing the ‘atmosphere and light’ that he sees all around him,’ The paintings that we n an age of “virtual reality” when the art of picture making is possible through the screen, and imagery is well considered when floating in formaldehyde, it is reassuring to find an evergreen of traditional values. Roy Petley has always lived life to the hilt, but he likes his friends to share his successes. He has known tough beginnings, but is aware of his talent and when he uses it to the full effect, it is devastating. Choosing familiar subjects he is able to embody each with feeling. Each image has something to say – the colour and draughtsmanship put in with a seeming casualness immediately awakening the viewer to the freshness of the work. More astonishing are his continuous successes, for whilst he has already become a legend in his own space, recent exhibitions overseas have proved that in reality his particular brand of figurative art is still very much alive and increasingly in demand. Roy Petley was the first born to what became a large family in Grantham, Lincolnshire in April 1951. Little affection was shown to him, and the only discipline was the bad tempter of his mother; by the time he was five he had been removed from his family and taken to the Woodlands school near Uckfield, Sussex. A home as well as a school for abandoned children. He cannot remember when he first began to draw – ‘Always, always’ is his claim – but it was at this school, and in the charge of his art master whose name he recalls as Price. He was a resident at the school for ten years, and tells a story fit for Vasari in that in being let loose in the art room, in a frenzied flurry of activity, he used in one week all of the material available for all of the pupils for one whole term. Formal recognition of his talent came when in 1967 at the age of sixteen he was awarded a place in the Brighton School of Art. With his family and educational background it had been decided without reference to him that he needed safe career prospect offered by training in commercial art. He found himself compelled to draw carefully and in great detail aesthetically unrewarding objects. When he asked if he might change to fine art he was refused. Regretting only that in some sense he had been betrayed by his art master at Woodlands, he cut short his term at University and hitch-hiked to Italy to see and learn from the great masterpieces that has so inspired him. He settled in Florence, haunting the Uffizi and Pitti galleries, examining with the closest scrutiny everything from Walter Paters...

Max Usadel (ca.1880-1950), Temple of Paestum, dat. 1912 View of the temple of Paestum with two ox carts in the foreground. The setting sun creates a dramati...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...