James McGinley

Late Morning at the Atlantic, original 24x42 impressionist landscape

Even the incomparable Venice hangs it's laundry out to dry, just as have generations before them! The air fluffs them out offering the ladies of the house a chance to check on the children's current goings on as well as the upcoming party or charity event! In classic impressionist style popular Italian American artist and teacher captures the charm age and waterways that define Venice with impasto paint, impressionist brush strokes and ancient colors. This Italian landscape depicts how Venitian life is wound together by vaporiti, gondolas, water taxis...

Along the Maine coast, the surf can be turbulent, the tide ferocious, the skies exquisite, the rocks unyielding. In this original marine landscape you can feel the roll of the waves, hear them pounding upon the rock wall, and actually see the changing colors of the shadows as the sun begins it's dramatic descent. The white of the waves contrasts with the purple sky in fantastic contrast to the multi-tonal stone that both catches the sun and it's prisms and the mossy green penetration of the unrelenting wave action. James McGinley...

To summer in Cap Ferrat, in the south of France, just across the border from Monte Carlo, is comparable to living in a Faberge egg, with all of the intricate detailing and elegance one might dream of! Jutting out into the turquoise Mediterranean Sea, the peace and privacy of the best and the brightest is discreetly protected whether of the royal family or the international jet set and intelligentsia! Master artist Jim Rodgers has been painting for more than 35 years, having studied at both the highly respected Art Students League of NYC as well as the Ridgewood Art Institute of New Jersey. His work has been acknowledged by numerous publications including American Art Collector. His work is represented in the collections of Pfizer Corporation, The Rockefeller Trust and many other noteworthy corporate and private collections. This French impressionist marine landscape is framed in an antique gold wood...

Mother Nature is surely at her most brilliant when the sun is setting or rising. To see and feel the magnitude of beauty and glory when the colors of marigold, goldenrod, peach, and...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 16 x 20 Frame Size: 25 x 28.75 Medium: Oil on Canvas Applied by Palette Knife "River Bend" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Artist/ School: French School, early 20th century Title: Golden colors Medium: oil painting on canvas, unframed canvas: 7.75 x 13 inches Provenance: private collection, France C...

Artist/ School: French School, 20th century Title: The Golden Sunlit Pathway Medium: oil painting on canvas, unframed canvas: 21.5 x 18 inches Provenance: private collection, Fr...

Artist: Vahe Yeremyan Title: Winter Valley Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 9.5" x 26.5" x 0.8" (24 x 67 x 3 cm) Presentation: Unframed, Gallery Wrap...