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Jill Pottle
"Fairfield Porter's Compound", interior, vibrant, high chroma, oil painting

2018

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"The Fire Door", Expressionist, Interior, Factory, Red, Blue, Oil Painting, 2017
By Catherine Picard-Gibbs
Located in Natick, MA
“The Fire Door” by Catherine Picard-Gibbs is an expressionist interior factory scene in a primary palette of red, teal, blue, and yellow. In this 18 x 24 inc...
Category

2010s Contemporary Interior Paintings

Materials

Canvas, Oil

"Helping Mark Rothko to Move his Furniture", seascape, blues, pink, oil painting
By Alexandra Rozenman
Located in Natick, MA
Alexandra Rozneman's "Helping Mark Rothko to Move his Furniture" is a playful 40 x 50 x 1 inch oil painting on canvas in deep blues, pinks and purples. It consists of a beautiful sea...
Category

2010s Contemporary Interior Paintings

Materials

Canvas, Oil

"Sound of the Yellow Light", Surreal, Piano, Purple, Black, Oil Painting, 2019
By Alexandra Rozenman
Located in Natick, MA
Rozenman’s painting “The Sound of a Yellow Light” is a 16 x 16 x 2 inch oil on canvas. In this open but comfortable large open space walls are purple, ceilings high and floors shine ...
Category

2010s Contemporary Paintings

Materials

Canvas, Oil

"Altar with Celestial Blue and Gold", Expressionist, Oil Painting, 2019
By Catherine Picard-Gibbs
Located in Natick, MA
“Altar with Celestial Blue and Gold” by Catherine Picard-Gibbs is a highly dramatic textural altar scene, painted in rich blues, golds and reds. This expressionist painting contrasts...
Category

2010s Contemporary Paintings

Materials

Canvas, Oil

"Light at the End of the Corridor", interior, factory, red, blue, oil painting
By Catherine Picard-Gibbs
Located in Natick, MA
“Light at the End of the Corridor” by Catherine Gibbs is an expressionist interior factory scene in a primary palette of red, teal, blue, and yellow. I...
Category

2010s Contemporary Interior Paintings

Materials

Canvas, Oil

"Chapel of Three Moons", Expressionist, Interior, Church, Golden, Oil Painting
By Catherine Picard-Gibbs
Located in Natick, MA
“Chapel of Three Moons” by Catherine Picard-Gibbs is an expressionist interior church scene. This evocative 24 x 30 x 1.5 inch oil on canvas painting depicts a mysterious golden encrusted chapel with a figure praying and a suggestion of a ritual taking place. The textural brushwork in rich gold contrasted with purples and blues add drama to this dynamic painting. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street...
Category

2010s Expressionist Paintings

Materials

Oil, Board

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A Glimpse into the Dining Room, architecture, columns, interiors, exteriors
Located in Jersey City, NJ
"A Glimpse into the Dining Room" (2023) by artist Julia Policastro is a sculptural oil painting on canvas with three dimensional columns in the foreground, set in front of two arched...
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"Venturi Scott Brown Design for Gianni Versace" (2023) by artist Julia Policastro is a sculptural oil painting on canvas with three dimensional columns in the foreground, set in fron...
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May 27 (8.59pm) - Road landscape painting
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Located in East Quogue, NY
Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...
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Coudersport, PA - Contemporary landscape painting
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Located in East Quogue, NY
Realistic landscape painting by Edie Nadelhaft - Oil on canvas, 16 x 20 inches. An avid motorcyclist, Edie Nadelhaft takes annual weeks...
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Untitled (Race Point Road)
By Edie Nadelhaft
Located in East Quogue, NY
Landscape painting, deserted beach road scene titled "Race Point Road" by Edie Nadelhaft - oil on canvas, 24 x 30 inches Edie Nadelhaft's paintings focus o...
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2010s Contemporary Landscape Paintings

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Long Pond Road Again
By Edie Nadelhaft
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Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...
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