Items Similar to GREEN UMBRELLA Oil on Panel Impressionism 20x 16 Dana Point CA Beach
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Jim BecknerGREEN UMBRELLA Oil on Panel Impressionism 20x 16 Dana Point CA Beach2022
2022
$1,650
£1,247.20
€1,433.25
CA$2,297.61
A$2,556
CHF 1,339.89
MX$31,233.72
NOK 17,061.81
SEK 16,061.33
DKK 10,698.66
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Gray Umbrella is an example of the bright colors that Beckner uses in his paintings. The Gray Umbrella series was painted in Dana Point California Jim Beckner just finished a series of beach paintings. All of them can be seen below and available. Framing will be complete be December or cam be shipped without a frame.
Denver-based artist Jim Beckner paints like a jazz musician. The blues bop, the oranges swing, and the yellows vibrate. Drawn to the beat of the city, the artist creates expressionistic urban landscapes that show his unabashed love of color. More than anything, his paintings dance with their own energy, and an urban rhythm emanates from his canvases.
Beckner was born and raised in Lakewood, CO, a suburb of Denver. Art played an integral role in the family. “My dad was—and still is—a watercolor artist,” he explains. “He does a lot of Colorado landscapes, very detailed, specific, realistic artwork.” Beckner remembers drawing and coloring at every opportunity when he was a child. “Both of my parents recognized that it was something I enjoyed,” he recalls. “I often drew to entertain those around me.”
Occasionally, the Beckner family would drive into downtown Denver to eat out at a restaurant. “I always thought the city was an exciting place,” notes the artist. “It had a certain edginess about it.” Those early excursions, and the urban sensibility they fostered in the impressionable youth, would have a profound effect on his burgeoning talent.
Encouraged by his parents, Beckner took art classes in junior high school. “I began to realize that I had some skill at drawing,” he says, “that I could see something and then re-create it.” In high school his art teacher was artist Ray Knaub, a well-known painter of western landscapes. “My senior year I did a representational oil painting of me and my friends sitting on a bench. It won first place in a county-wide art show,” Beckner recalls.
Pragmatism took hold, however, when he entered Colorado State University in Fort Collins. “My parents and I agreed it made sense to have something to fall back on, so I decided to major in marketing,” he says. “I figured I could always paint on my own time.” To that end he minored in painting and filled his electives with art history and studio art classes. He took three classes with CSU painting professor Patrice Sullivan—an experience that continues to resonate. “She was the first one to help me understand how to see shapes of color,” he explains. “Before that I was more inclined to view art as drawing something and then filling it in with color.”
Today he traces many of the origins of his current style to his college days. “I look back at the paintings I did then,” says Beckner, “and some were very vibrant with a lot of thick brushwork. I still handle the brush the same way, although now I’m more deliberate about it.”
After graduating from college, Beckner worked a number of odd jobs. He continued painting and took classes at the Art Students League of Denver, where he found another mentor in painter Mark Daily. “Mark’s more of a representational artist. And a good colorist,” notes Beckner. “He also uses a thick impasto.”
As time progressed, Beckner developed a painterly style in which color and movement replaced form and outline as his driving forces. These days, “I don’t particularly enjoy working on the drawing aspect of a painting. I’m too impatient,” he confesses. “I like to work quickly and get a lot of paint on the canvas fast.” “As they say,” he adds, “paint what you know.”
The breadth of Beckner’s artistic output reveals that he moves freely among stylistic approaches, from post-Impressionism to expressionism and even fauvism—all of which are heavily dependent on a strong color palette. Some of his cityscapes and beach scenes convey a post-Impressionist sense of capturing a specific place at a certain moment. Most of his canvases exhibit a personal, more subjective approach to color, à la the expressionists.
In his bolder moments, Beckner moves into a fauvist mode, allowing colors to exude emotional nuance. Some of his paintings even veer toward abstraction in their distillation of forms into arresting blocks of color. “I try to push boundaries, to see how far I can go,” he explains. “You can take two of my paintings and put them side by side, and they might not be immediately identifiable as having been done by the same artist. But if you put a group of my paintings together, it’s like an album of different songs by the same musician.”
As to his enlightened sense of color, he nods to two masters as important ongoing inspirations: Matisse and Monet. “I like Monet’s works later in his life, when they were all about color,” he notes. For contemporary influences, Beckner cites the techniques of two Denver painters: the thick brushwork of Nancy Switzer and the fluid, expressive style of Kevin Weckbach.
Beckner usually begins with color photographs. “I’m drawn to the temperature of colors—cool versus warm—but I’m not a slave to the photograph,” he explains. “I try to choose colors that are out of the ordinary. I like to challenge myself, to paint myself into a corner and see if I can get out.” Thus, an urban street scene captured on camera might become a subtle study in light and shadows, or it may burst into a sweeping array of brightly colored shapes signifying movement and structure.
“I don’t want to concentrate solely on the element of getting the drawing correct,” says Beckner. Instead of trying to reproduce the architectural geometry of the city, he emphasizes its energy with the colors he chooses and the way he shapes them: “I struggle to maintain that energy and life.” He says he has a clear vision of a painting before he begins. “A lot of thought and decision-making get added to my intuitive ideas,” he adds.
The Gray Umbrella shows a medley of blues—from cobalt to ultramarine—sets the mood while people are on the beach and perpendicular angles keep the eye moving around the canvas. An occasional dab or strip of color offers a subtle compliment.
- Creator:
- Creation Year:2022
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Houston, TX
- Reference Number:1stDibs: LU1405211394842
Jim Beckner
Denver-based artist Jim Beckner paints like a jazz musician. The blues bop, the oranges swing, and the yellows vibrate. Drawn to the beat of the city, the artist creates expressionistic urban landscapes that show his unabashed love of color. More than anything, his paintings dance with their own energy, and an urban rhythm emanates from his canvases. Beckner was born and raised in Lakewood, CO, a suburb of Denver. Art played an integral role in the family. “My dad was—and still is—a watercolor artist,” he explains. “He does a lot of Colorado landscapes, very detailed, specific, realistic artwork.” Beckner remembers drawing and coloring at every opportunity when he was a child. “Both of my parents recognized that it was something I enjoyed,” he recalls. “I often drew to entertain those around me.” Occasionally, the Beckner family would drive into downtown Denver to eat out at a restaurant. “I always thought the city was an exciting place,” notes the artist. “It had a certain edginess about it.” Those early excursions, and the urban sensibility they fostered in the impressionable youth, would have a profound effect on his burgeoning talent. Pragmatism took hold, however, when he entered Colorado State University in Fort Collins. “My parents and I agreed it made sense to have something to fall back on, so I decided to major in marketing,” he says. “I figured I could always paint on my own time.” To that end he minored in painting and filled his electives with art history and studio art classes. He took three classes with CSU painting professor Patrice Sullivan—an experience that continues to resonate. “She was the first one to help me understand how to see shapes of color,” he explains. “Before that I was more inclined to view art as drawing something and then filling it in with color.” Today he traces many of the origins of his current style to his college days. “I look back at the paintings I did then,” says Beckner, “and some were very vibrant with a lot of thick brushwork. I still handle the brush the same way, although now I’m more deliberate about it.” After graduating from college, Beckner worked a number of odd jobs. He continued painting and took classes at the Art Students League of Denver, where he found another mentor in painter Mark Daily. “Mark’s more of a representational artist. And a good colorist,” notes Beckner. “He also uses a thick impasto.” As time progressed, Beckner developed a painterly style in which color and movement replaced form and outline as his driving forces. These days, “I don’t particularly enjoy working on the drawing aspect of a painting. I’m too impatient,” he confesses. “I like to work quickly and get a lot of paint on the canvas fast.” The result is a body of work heavily weighted to urban landscapes, in which the artist infuses everyday scenes with the pulsating rhythms of city life. “As they say,” he adds, “paint what you know.” .
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1970
1stDibs seller since 2020
153 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Houston, TX
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllHilton Head Beach, Oil on Panel, Impressionism, 18 x 24 , American Artist, Sun
By Jim Beckner
Located in Houston, TX
Hilton Head Beach is an example of the bright colors that Beckner uses in his paintings. The orange umbrella paintings were painted at Hilton Head, South C...
Category
2010s American Impressionist Landscape Paintings
Materials
Oil
Afternoon at the Beach, Oil on Panel, Impressionism, 18 x 24 , American Artist
By Jim Beckner
Located in Houston, TX
Afternoon at the Beach is an example of the bright colors that Beckner uses in his paintings. The orange umbrella paintings were painted at Hilt...
Category
2010s American Impressionist Landscape Paintings
Materials
Oil
Viareggio, Italian Beach, Impressionism 16" x 24" $9500 Oil Framed
By Nelson H. White
Located in Houston, TX
FRAMED SIZE IS 21 X 29
The Italian Beaches are a common theme in Nelson White paintings as seen in this 16 x 20 oil painting by Nelson White. The title for this Italian Beach is V...
Category
2010s Impressionist Landscape Paintings
Materials
Oil, Wood Panel
The Yellow Umbrella Bagno Viareggio Italy Outdoor Beach 9" x 16"
By Nelson H. White
Located in Houston, TX
The Italian Beaches are a common theme in Nelson White paintings . The title for this Italian Beach is The Yellow Umbrella . His paintings show his love for the outdoors and na...
Category
2010s Impressionist Landscape Paintings
Materials
Wood Panel, Oil
Sunny Day, Oil Painting, American Impressionism. Illustrator. Free Shipping
Located in Houston, TX
HIGH RESOLUTION IMAGES AVAILABLE
Sunny Day is a 16 x 23 oil painting by artist Jeff Slemons. Jeff Slemons brings out the movement of the people on the bea...
Category
2010s Impressionist Landscape Paintings
Materials
Oil, Wood Panel
Bagno Salute, Italian Beach, Individual Style, Outdoor 16" x 24" $9500 Framed
By Nelson H. White
Located in Houston, TX
FRAMED SIZE IS 22 X 30 Painting
The Italian Beaches are a common theme in Nelson White paintings as seen in this 16 x 20 oil painting by Nelson White. The title for this Italian...
Category
2010s Impressionist Landscape Paintings
Materials
Oil
You May Also Like
"Beaches 7, " Beach Scene with Umbrellas by Jim Beckner
By Jim Beckner
Located in Denver, CO
Jim Beckner's (US based) "Beaches 7" is an original, handmade oil painting depicting a beach scene with colorful striped umbrellas shading lounging beach goers.
About the Artist:
...
Category
2010s Impressionist Figurative Paintings
Materials
Canvas, Oil
"Beaches 10, " Beach Scene with Umbrellas by Jim Beckner
By Jim Beckner
Located in Denver, CO
Jim Beckner's (US based) "Beaches 10" is an original, handmade oil painting depicting a beach scene with colorful striped umbrellas shading lounging beach goers.
About the Artist:...
Category
2010s Impressionist Figurative Paintings
Materials
Oil, Board
"Beaches 9, " Beach Scene with Umbrellas by Jim Beckner
By Jim Beckner
Located in Denver, CO
Jim Beckner's (US based) "Beaches 9" is an original, handmade oil painting depicting a beach scene with colorful orange umbrellas shading lounging beach goers.
About the Artist:
...
Category
2010s Impressionist Figurative Paintings
Materials
Canvas, Oil
"Bagno Carla 01.01.2018" Oil painting of green beach umbrellas - Viareggio Italy
By Nelson H. White
Located in Sag Harbor, NY
"Bagno Carla 01.01.2018" is an oil painting of an Italian beach in Viareggio Italy. The work is set in a hand made gold frame, crafted in Pisa Italy, as pictured. The work depicts si...
Category
21st Century and Contemporary American Impressionist Landscape Paintings
Materials
Oil, Panel
"The Yellow Umbrella (Buono Bouniamici)" Landscape, Italy, Beach
By Nelson H. White
Located in Sag Harbor, NY
"The Yellow Umbrella (Buono Bouniamici)" is an impressionist landscape painting of a picturesque Italian beach.
A Yellow Umbrella painted en plein-air ...
Category
21st Century and Contemporary American Impressionist Landscape Paintings
Materials
Oil
"The Red Umbrellas" Impressionist oil painting, sunbathing beach seascape framed
By Nelson H. White
Located in Sag Harbor, NY
"The Red Umbrellas" is an oil on canvas painting by American Impressionist, Nelson H. White. It depicts a beach view of red umbrellas and red chairs. Some people are also walking alo...
Category
21st Century and Contemporary Impressionist Landscape Paintings
Materials
Canvas, Oil
More Ways To Browse
Umbrella Paintings
Painting Of Umbrellas
Umbrella On Beach
Restaurant Scenes Oil Paintings
Landscape Painting By Collins
Jim Love
Beach Umbrella Painting
Paintings Of Beach Umbrellas
Painting With Beach Umbrellas
Oil Painting Sullivan
Dana Light
Swing Child
Don Collins
Swing Bench Used
Winds Of Change
Paintings By Cornwall Artists
Paintings Santa Fe Landscapes
French Oil Painting Of Boat