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Joachim Ludwig Bünsow
Il ponte dell´Ariccia, Ariccia and The Alban Hills

circa 1853

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Landscape with Women Picking Flowers, Possibly on Island of Mön
Located in Stockholm, SE
A fine small plein air study of three women picking flowers on the meadow next to white cliffs and sea. In the horizon where the sky ends, the contours of mainland is visible as a sh...
Category

Late 19th Century Naturalistic Landscape Paintings

Materials

Paper, Oil, Cardboard

Sunset Over Stockholm with Steamboat
Located in Stockholm, SE
A magnificent view of Stockholm, featuring a steamboat gliding slowly passing by Skeppsbron, (the bridge) with Södermalm and Katarina Church illuminated in the soft light of dusk. Th...
Category

1920s Art Nouveau Landscape Paintings

Materials

Canvas, Oil, Cardboard

Swedish Sunset over Lake and Mountains
Located in Stockholm, SE
Oil study by a lake and mountains during sunset by Edward Rosenberg (1858-1934). This is a an oil study for a larger painting that Rosenberg did. A te...
Category

Early 20th Century Naturalistic Landscape Paintings

Materials

Canvas, Oil, Cardboard

Mountain Landscape, Northern Sweden, Oil on Panel.
Located in Stockholm, SE
A mountainous landscape painted by Hilding Elof Nyman (1870 - 1937). Oil on panel. The motif is probably from Dalarna in Swedens north part were he spent periods of his life. Nyman ...
Category

Early 20th Century Impressionist Landscape Paintings

Materials

Oil, Panel

Landscape with Horses and Farmers, Oil on Canvas, Painted 1898.
Located in Stockholm, SE
A fine landscape with horses resting by some trees and some farmers working the soil by Frants Peter Diderik Henningsen (1850 - 1908). Oil on canvas. Signed with monogram "FH" and dated 1898. Henningsen was a Danish painter and draftsman. In 1870, he was admitted to C. V. Nielsen's drawing school and then the Royal Academy of Fine Arts in Copenhagen, from which he received his graduation certificate in 1875. As early as 1874, he exhibited his first work, a portrait of actress Julie Sødring, and he was subsequently represented at almost all Spring Exhibitions. He exhibited at Charlottenborg between 1875-1905 and also did exhibitions in Stockholm, Berlin and Paris. He showed great skill in many different areas, e.g. portrait painting, animal painting, landscape painting, genre painting and illustrations. Immediately after the academy, he traveled with academy scholarships to Germany, later to France in 1877-1878, where he applied to Léon Bonnat's school in Paris, and from where in the spring of 1878 he made a trip to Spain together with P.S. Krøyer, Frans Schwartz...
Category

1890s Naturalistic Landscape Paintings

Materials

Canvas, Oil

Sunset over Dyrehaven. Oil on Canvas, 1860.
Located in Stockholm, SE
Carl Frederik Aagaard, Sunset over Dyrehaven. Signed C.F. Aagaard. Oil on canvas laid on card box panel. 22×32 cm without frame. A tergo written:...
Category

1860s Naturalistic Landscape Paintings

Materials

Canvas, Oil

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Oil Sketch From Rome Called Ruins of Ancient Rome, c. 1870-72
Located in Stockholm, SE
This beautiful oil sketch, painted en plein air, was created by Swedish artist Olof Arborelius during his stay in Italy from the fall of 1870 until January 1872. The painting features a charming depiction of ancient Roman ruins—either a city wall or an aqueduct—surrounded by lush trees under the clear Italian sky. With loose brushstrokes and a soft, atmospheric touch, the artist captures the natural light and Mediterranean ambiance, demonstrating his profound understanding of plein air painting. Arborelius was heavily influenced by French artistic trends of the time, particularly in his color sensitivity and study of light and air. His time in Italy was critical for his artistic development, marking the height of his mastery in capturing the delicate interplay of light, color, and atmosphere. Several of Arborelius’ Italian oil studies, including similar small-format plein air works, were later exhibited at various prestigious exhibitions. These include the Svenska konstnärernas förening memorial exhibition in 1910, the Svensk-Franska Konstgalleriet in Stockholm in 1931, and a memorial exhibition at the Nationalmuseum in 1943. Viggo Loos praised Arborelius' Italian studies for their "sensitivity to color" and "intense exploration of light and atmosphere," highlighting these works as a high point in the artist's career. Loos emphasized how Arborelius skillfully captured the essence of the Mediterranean landscape, using vibrant tones and delicate brushwork to convey the interplay of light and air. Moreover, Folke Holmér, the curator of Arborelius’ 1943 memorial exhibition, described his Italian sketches as some of the most painterly pieces of his early production, worthy of comparison with the best works Swedish artists had produced in Italy. Among his notable works in major collections are three of his Italian oil studies held at the Nationalmuseum: View from Rome Towards the Arch of Septimius Severus...
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1970's Winter Landscape -- River in the Snow
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