Frank Boros

"Tuesday - 8 O'clock, " Frank Boros, View of Manhattan Skyline, New York City

"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...

"Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism Worker. Signed “Otis Oldfield” lower left. 14 x 12 inches. Exhibited: Galerie des Beaux Arts, San Francisco, CA, 1925 Provenance: Estate of the Artist Born in Sacramento, CA on July 3, 1890, Otis Oldfield left high school at age 16 to work in a local print shop. In 1909 he arrived in San Francisco and enrolled at the Best Art School. After working for two years as a bellhop at the Argonaut Hotel and as a hat check boy at the Cliff House, he had saved enough money for further studies in Paris. In 1911 he sailed for France and enrolled at Académie Julian. Caught up in the activities of wartime Paris, he was an apprentice for a book...

"Backstage, Ambassador" Broadway Theatre NYC Mid-century Modern Modernist CubistSigned lower left, titled on the stretcher. Norkin was a Brooklyn, Ne...

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...

"Venturi Scott Brown Design for Gianni Versace" (2023) by artist Julia Policastro is a sculptural oil painting on canvas with three dimensional columns in the foreground, set in fron...

"A Glimpse into the Dining Room" (2023) by artist Julia Policastro is a sculptural oil painting on canvas with three dimensional columns in the foreground, set in front of two arched...

Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...