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John Steuart CurryHorsescca. 1940
cca. 1940
$84,000
£63,800.07
€73,710.16
CA$117,729.03
A$131,760.93
CHF 68,769.08
MX$1,606,804.16
NOK 880,150.63
SEK 833,175.28
DKK 550,089.16
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About the Item
Signed lower left
John Steuart Curry was born in Dunavant, Kansas, and, after training at the Chicago Art Institute, the Kansas City Art Institute and Paris’s Academie Julian, major publications such as the Saturday Evening Post gainfully employed his talent for illustration. While teaching at the Art Student’s League and Cooper Union in New York City, Curry rejected the impersonal quality of industrialism to favor subject matter reflective of his agrarian background.
From 1936 to 1946, Curry served as the first artist-in-residence for the University of Wisconsin’s College of Agriculture. In this role, Curry focused on familiar Wisconsin themes such as the University football team, livestock, and the rural landscape surrounding Madison as a way to connect the students and faculty with the rural community.
Curry was commissioned for several mural projects: the Department of the Interior and Department of Justice in Washington, D.C., as well as the Kansas State Capitol in Topeka. Their subject matter reflected Curry’s desire to create art meaningful to the American people. His work is also installed in numerous museums, including the Whitney and Metropolitan Museums in New York.
Curry began drawing horses on his family’s farm as a boy, and the horse appears often in his mature art. In his attempts to render anatomy and movement, he studied not only live horses but also those rendered by the old masters, including Eugène Delacroix, Peter Paul Rubens, and Leonardo da Vinci. The bared teeth and wild eyes of this running horse especially resemble the artist’s action studies of horses after Da Vinci
- Creator:John Steuart Curry (1897-1946, American)
- Creation Year:cca. 1940
- Dimensions:Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1637216637712
John Steuart Curry
Born in Dunavant, Kansas on November 14, 1897, John Steuart Curry became the youngest member of the famed "Benton-Wood-Curry trio" of Regional Painters of the early 20th-century American Scene movement. He gained a national reputation for his rural Kansas scenes. The artist focused on people who were down-to-earth, plain spoken, and self-reliant, and who made a living through hard physical labor. Curry executed murals dealing with land settlement and racial justice, and his works reflecting these themes are in the Capitol Building in Kansas, the University of Wisconsin, the United States Department of the Interior, and the United States Department of Justice. The artist quit high school and attended the Kansas City Art Institute and School of Design. He transferred to the Art Institute of Chicago. Curry married Clara Derrick in 1923. He studied in Paris in 1927. He was not impressed by the modernist American painters, many of whom were adopting the 'isms' of French contemporary artists. Curry was determined to paint American subjects without European models and to celebrate patriotism, regional pride, and the common man. He settled in Westport, Connecticut. In 1928, he painted Baptism in Kansas. The painting was heralded nationally as work of a new American genre. It was exhibited at the Corcoran Gallery of Art biennial where it met critical acclaim. In 1931, Gertrude Vanderbilt Whitney bought it for her museum. Tornado over Kansas was unveiled in 1929 before the stock market crash and provided the city with the romance of man versus nature theme. In 1933, it received second prize at the Carnegie International Exhibit. In 1930, he had his first one-man exhibition at the Whitney Studio Club. His work of the 1930s contains themes of work, family, and land-- demonstrating the peace, struggle, and perseverance that Curry believed was the essence of American life. In 1934 he married Kathleen Shepard. The United States government selected him to paint murals for the Department of Justice and the Department of Interior. He was appointed Artist-in-Residence in the College of Agriculture at the University of Wisconsin in 1936. He was a member of the Art Students' League and won prizes including: Purchase prize, North West Print Maker, fifth annual Exhibition, 1933; second prize, Thirty-first International Exhibition, Carnegie Institute, 1933; gold medal, PAFA, 1941; prize, Artists for Victory Exhibition, the Metropolitan Museum of Art, 1941. Exhibitions include: “A Celebration of Rural America,” 2007, Danville Museum of Fine Arts and History; “Collective Images: the sketchbooks of John Steuart Curry, 2002, Worcester Art Museum; “Illusions of Eden: Visions of the American Heartland,” 2000, Columbus Museum of Art; “The American Century: Art and Culture 1900-2000,” Whitney Museum of American Art; and “John Steuart Curry: Inventing the Middle West,” 1998, M.H. de Young Memorial Museum. He died in Madison, Wisconsin in 1946.
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