Julio Barragan

Paisaje de la Rioja Argentinian Modernist Concretist Cubist Oil Painting

1972

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russi...

Genre: Modern Subject: People Medium: Acrylic Surface: Canvas Country: United States Dimensions: 20" x 24" Scene of a family leisurely gathering together in a park to picnic and enjoying their day by the artist Ben Benn. Ben Benn, Russian/American (1884-1983) Ben Benn, a Russian-born American still-life and Post Impressionist landscape painter who was part of the first generation of artists in America to try to digest the lessons of Cubism Benn Benn was a pioneer American modernist whose independent style defied stylistic classification. Despite excursions into Cubism and Abstract Expressionist style, Benn “seems always to have been a ‘subject’ painter. Considering this, it is remarkable that he remained visible at all during the 50’s and early 60’s, when prejudice against the representational amounted nearly to a proscription of it.” Benn’s prominence in the art world over 6 decades was reaffirmed at a 90th birthday show at the Hirshhorn Museum in Washington , D.C. in 1974. Benn was born Benjamin Rosenberg in the town of Kamenets Podolsk in the Russian empire in 1884. This town was the regional capital of an area in what is today, SW Ukraine, and was historically known as Podolia. the Rosenberg family chose, along with thousands of others, to immigrate from Podolia to the United States in 1894 or 1899. “Between 1904 and 1908 Benn attended the National Academy of Design and he studied at the Arts Students League In New York City. He spent most of his career in New York City including memberships with the American Society of Painters and Sculptors, American Artists Congress and the Woodstock Artist Association. Academy curriculum stressed portraiture built up with broad, painterly brushstrokes, a technique that remained the foundation of Benn’s style. In his first group show, in 1913, he exhibited with Max Weber and Man Ray. By the mid teens his canvases were bolder in color and more decorative in style. In 1916, Benn participated in the important "Forum Exhibition of Modern American Painters...

Colorful Italian cityscape which includes elements of both Rome and Milan, noted on the back of the painting. Signed in hebrew. Claire Szilard, a native of Hungary, is an Israeli painter and sculptor, but for the past 10 years she has again been living in Hungary. A short time after she married Pal Fusti in 1944, her sweetheart was conscripted into the work brigade, which engaged mostly in clearing mines. Like many others, Fusti never returned from the war and was declared missing. After she gave up all hope that her husband would return, Szilard immigrated first to Switzerland and several years later, came to Israel. She lived in the artists' village of Ein Hod and later spent many years in the artists' quarter in Old Jaffa. She quickly carved out a respected place for herself among Israeli artists. She was a pioneer in the art of working in glass (vitrage). Over the years, her glasswork has decorated 14 synagogues and a number of public buildings throughout Israel. Her paintings and sculptures have been exhibited in Switzerland, Paris, Rome and London. In 1985, she was chosen painter of the year in Brazil. Szilard lived in Israel for nearly 40 years, during which time she established a studio for herself in Paris as well, married and was widowed. After the change of regime in Hungary in 1990, she showed her works for the first time in Budapest, in the prestigious Vigado Gallery. That particular exhibition had unexpected results. When she was in Budapest she learned by chance that her first husband had not been killed in the war, but had fallen prisoner and had returned to Hungary after a number of years. He looked for his young wife, but didn't find her. He too married and was widowed. Forty years later, they met again. Their feelings for each other were renewed and they decided to join their lives - she at nearly 70, he at nearly 80. Pal Fusti did not feel himself in any condition to begin a new life in Israel, which was an unknown country for him, where he did not know the language and the customs. The couple thus remained in Hungary. Not too long ago, they celebrated in great style - all the "who's who" of the artistic world of the Hungarian capital was there - the 10th anniversary of their renewed meeting, her 80th birthday and his 90th. Studies: Free Academy Budapest; School of Fine Arts, Geneva; Fresco in Ravena, Italy; Prizes: 1969 Nordau Prize; 1984 Silver...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps Shipbuilding Corporation in Camden, New Jersey. Here, he created non-objective sculpture with metal. After the war, Carton co-founded a fabric design plant in Philadelphia. He produced hand-printed fabrics for interiors and fashion that were featured in Harper’s Bazaar, Vogue and Women’s Wear Daily. Original fabric designs were commissioned by notable clients including Lord & Taylor, Gimbels, and Nina Ricci. Some of these designs are at the Metropolitan Museum of Art. Carton traded his partnership in the fabric design company in 1949 to focus full-time on painting. Carton had his first solo exhibition in 1949 at the Philadelphia Art Alliance. This show was followed closely by solo exhibitions at the Laurel Gallery (New York City) and Dubin Gallery (Philadelphia). At this time, his exhibited work was Abstract impressionism. In addition to painting, he taught classes at the Philadelphia Museum of Art and was the Founder and first President of the Philadelphia chapter of Artist’s Equity Association. The Philadelphia Museum of Art and the organization of the National Museums of France commissioned Carton to travel to Europe, mainly France, in 1950 for a color photography study of continental masterpieces. He was granted access to study the restoration of the Mona Lisa and was one of the very few to be given permission to remove the painting from its frame. During his three year stay in Paris, he had solo exhibits at La Sorbonne and Gallery Rene Breteau and was in 15 group shows in Paris salons including Les Sur Independants, Salon d’Automne, and Realities Nouvelles. He also exhibited at the Musee d’Art Juif where he won the Prix d’Art. The Cercle Paul Valery twice sponsored Carton to present lectures at the Sorbonne. He conducted seminars at the Louvre for the Cercle Esthetique Internationale and taught classes in and directed stage and costume design for the Theatre de Recherche at the Paris Opera. Among his Paris artist colleagues were Chana Orloff, Earl Kerkam, Sam Francis, Claire Falkenstein, Lawrence...

Les Toits de Venise (The Rooftops of Venice) 55 x 46 cm Oil and acrylic on canvas Les Toits de Venise is an exploration of Venice's rooftops through the artist’s Diachronic Cubism....

American artist Hellier (20th Century) designed this stunning post-cubist constructivist oil on canvas painting. The artwork "Ste Augustine" uses earth tones juxtaposed with green to...

"The Colorful Florence," a 20" x 28" oil on canvas by Masri, captures the essence of a pastoral landscape through a dynamic abstract lens. In this piece, the earth is alive with rich...

Technical sheet - Artist: Joan Carles Roca Sans (b. 1946) - Title: *Landscape of the Ampurdán* - Technique: Oil on canvas - Dimensions: 23.6 x 28.7 ...