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Leon Collins
"ALAMO" BLACK FOLK ARTIST Leon collins

$1,450
£1,096.02
€1,259.52
CA$2,019.12
A$2,246.18
CHF 1,177.48
MX$27,447.82
NOK 14,993.71
SEK 14,114.50
DKK 9,401.86
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About the Item

Leon Collins Birthdate Unknown Galveston / Navasota Texas Artist Image Size: 36 x 24 Medium: Acrylic on Canvas "Alamo" Leon Collins Birthdate Unknown "The inspiration comes from my great, great grandmother, the will comes from God." Leon Collins was born in Galveston. At the age of four, he was sent to live with relatives in Baton Rouge. At eight he moved to Beverly Hills, California to live with his mother. Each summer he was sent to Brazoria, Texas to stay with his great-great-grandmother, “Big Mama.” “Big Mama,” who lived to be 114, told him stories which he recorded in his Big Chief notebook. When Leon’s mother passed away, Leon moved from California to Texas where his mother’s sister lived. “If God gives me my sight back, I’m going to start painting again.” For two years Leon’s daughter Molly Bee was his caretaker when he was afflicted by brain cancer in 2005. In 2007, his sight returned. He kept his promise to God. Before returning to his art, Leon spent time as a picker of antiques. An antique store saw some of Molly Bee’s paintings and quickly sold them at his shop. Both Leon and Molly Bee were quickly in the art business. Word of their “folk” art quickly spread. Their paintings hang from coast to coast. Recently Rice University recognized their art with the exhibit "The Color of Life." Of his artwork, Leon Collins said: "Ninety percent of my work comes from God and Big Mama.” That opening is special for two reasons. This was a father / daughter exhibition, and this is their first show in an art gallery. The Texas artist’s work is from their hearts and imaginations. Neither is trained as an artist, instead their paintings are "recollections” of stories, events, places, characters and ideas brought to life in brilliant color. Information for the Festival read: "Leon’s need to paint came about because of an “unusual life situation. "One morning Leon lost the ability to speak and his sight. For two years he lived in darkness and fear. He never lost his faith though. Miraculously both returned at the same time. It was at that moment he decided to paint “to keep the darkness away.” His daughter, Molly Bee, encouraged him to paint his poetry and that is why she is the light of his life. Molly Bee acquired her nickname at the age of two. Named after Leon’s great-great grandmother’s sister, the first Molly Bee lived to be 119 and died in 1970. Her first memory was of seeing her parents chained together at a slave auction. She lived a rich, full life that she shared with Leon. It was these stories that Molly Bee began to paint in her own style at the age of nine. Leon Collins does a kind of folky-edgy/borderline unsettling art and cannot keep his work in stock. Leon produces art like a madman with a gun to his head. He many times paints one painting a day. A LARGE painting. That includes prep work and framing (on occasion) and annoying me occasionally when he gets restless. He does not have time to think a thought. He paints what he sees, what he dreams, what he remembers, anything that comes to his mind. There is often no symbolic theme, no deep story behind his works, no mission, no central message; A little girl avoids the jaws of an alligator, a man ducks his wife’s rolling pin, black women sail through a cotton field dragging enormous sacks… A crazy looking bird watches… you don’t know what it is… He is as purely stream of consciousness as I have ever known. Almost everything Leon Collins does is the antithesis to whatever any artist or professor or knowledgeable person has ever told me. And yet his sales outstrip whatever might be second. We talk all the time about the hows and whys... Leon's work and its success is a perfect storm, the juxtaposition of local color, black culture, popular fantasy, and the white need to prove something. He is thriving purely because he offers a product that hits this culture right between the eyes… and they do not even know why. Ever since Picasso's Guernica, art has denied the soul. But when people meet Leon Collins, they seem to discover theirs. He is the high priest of racial atonement, and his sidewalk easel the confessional. And he has won thousands of converts.
  • Creator:
    Leon Collins (1930, American)
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 24 in (60.96 cm)Depth: 3 in (7.62 cm)
  • More Editions & Sizes:
    Image Size: 36 x 24Price: $1,450
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    San Antonio, TX
  • Reference Number:
    1stDibs: LU769315864472

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