L.G. Coxhead

L.G. Coxhead - Mid 20th Century Oil, Cottage Scene

Unknown

This pastoral oil captures the golden warmth of a rural harvest scene, featuring prominently positioned wheat sheaves in a sun-drenched field. The artist's soft brushstrokes evoke a ...

Sell for restoration- this charming 19th century oil by W. Yates. The scene depicts a calming rural landscape with farmer's cottage nestled amongst hedgerows. Several figures walk th...

A bustling South American townscape with figures leaving Church. Unsigned. On canvas on stretchers.

Impressionist scene in oil. Coastal Farm, Pembrokeshire. Signed and dated (2001) to the lower right. Well presented in a plain wooden frame. with further inscriptions by the artist's...

Felipe MASO DE FALP Barcelona, ​​1851 – Pau, 1929 Oil on canvas 28 x 16.5cm (32 x 21cm) Signed lower right and located “F. Maso / Sitges” Felip Maso de Falp is a Catalan painter. He...

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work accompanied by the expertise of Prof. Emilio Negro The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin; We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.   In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style. It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love. The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...