Antique Landscape oil painting, French School, attributed to Louis Guy
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Antique Landscape oil painting, French School, attributed to Louis Guy1880's
1880's
About the Item
- Attributed to:louis guy (French)
- Creation Year:1880's
- Dimensions:Height: 22.5 in (57.15 cm)Width: 19.5 in (49.53 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:AIGNAN, FR
- Reference Number:1stDibs: LU2448213165882
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ntique landscape oil painting in it's original frame by French artist Gustave Césaire Garaud (1844-1914)
An attractive Barbizon School oil painting on stretched canvas. A river scene with a wooded foreground with plenty of animated detail of the river and the small wooden bridge that crosses it. The artist has animated the painting with raised brush strokes and lush hues of greens and lilacs. The canvas is slightly textured. It is signed in the lower right with an annotation, A. F Aberle, my friend since childhood.
MORE ABOUT THIS PAINTING:
Medium: Oil on stretched canvas
Overall size: 13.5ins x 18ins or 34cms x 46cms (approx) including the frame
Date: 1880's
Condition: The painting is in good antique condition but you should expect imperfections associated with age, in particular, there are two very small areas of missing paint in the tree. The frame has had renovations throughout but it is in a sturdy condition.
Signed: Gustave Césaire Garaud (1844-1914) He was a student of François-Louis Français. His first exhibit at the Salon came in 1878, and he would continue to have showings there until his death. In 1881, two of his works, "Bord du Gapeau près de Montrieux" and "Les Pins de Notre-Dame sous Fenouillet", received honorable mention and were purchased by the Musée d'Art de Toulon. In 1889, he was awarded two third-class medals and, in 1893, two second-class medals.
He opened a workshop in Paris, dividing his time between painting there, in Provence and in Brittany. He also created some landscapes in Corsica. Although he never became famous, he enjoyed a good reputation among collectors and was able to organize two exhibits of his own, at the Cercle Volney, in 1891 and 1900. In addition to his canvases, he decorated some private buildings.
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