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Lumi MizutaniMonet’s Dahlias by Lumi Mizutani - Landscape painting, Giverny, flowers, garden2024
2024
$3,012.70
£2,258.21
€2,550
CA$4,138.94
A$4,620.74
CHF 2,421.20
MX$56,562.40
NOK 30,749.25
SEK 28,992.64
DKK 19,411.53
About the Item
Monet’s Dahlias is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and Indian ink on Japanese paper mounted on panel, dimensions are 31.8 × 40.9 cm (12.5 × 16.1 in).
The artwork is signed, sold unframed and comes with a certificate of authenticity.
The violet flowers in the painting's foreground contrast sharply with the background's greenery. As the title suggests, the artist was most likely influenced by the dahlias that Claude Monet planted in his Giverny garden. The artist often pays homage to French and Japanese landscapes in her figurative paintings, emphasizing the importance of plants and flowers.
Lumi Mizutani works on the alchemy between different elements she uses: paper, ink and water. Through the magic play of the materials, Lumi invites the viewer to enter the world of her artworks full of emotion. The artist juggles with the codes by using traditional techniques, on the one hand, and permanently reinventing with her own techniques, on the other.
- Creator:Lumi Mizutani (1948)
- Creation Year:2024
- Dimensions:Height: 12.52 in (31.8 cm)Width: 16.11 in (40.9 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803115959142
Lumi Mizutani
Painter and lithographer, Lumi Mizutani draws her inspiration from traditional Chinese and Japanese painting techniques. Her ink drawings and her paintings extend this tradition, and, through constant experimentation, carry her towards new horizons. For a few years now Lumi Mizutani’s work has revolved around the duality between abstract and figurative, black and colour, the spontaneity of the gesture (the ink painting) and the patient composition work (the painting with pigment). Thanks to these antagonisms she finds the necessary and complementary resources to express herself. “I felt the desire to introduce colors, especially Japanese color pigments, familiar to my childhood. Japanese painting thus entered my artistic expression and my life. While respecting the ancestral techniques and codes, I strive to create a personal and contemporary footprint that challenges the viewer by the emotion it arouses.“
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