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Lumi MizutaniWhite Moon by Lumi Mizutani - Japanese painting, trees, nature, flowers2021
2021
$2,666.57
£1,988.87
€2,280
CA$3,656.20
A$4,107.32
CHF 2,185.87
MX$50,788.60
NOK 26,635.06
SEK 25,752.28
DKK 17,346.80
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About the Item
White Moon is a unique diptych painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments and India ink on Japanese cardboard, dimensions are 27 × 48 cm (10.6 × 18.9 in). Dimensions of the framed artwork are 33 x 55 cm (12.9 x 21.6 in).
The artwork is signed, sold framed (white frame) and comes with a certificate of authenticity.
In this series of figurative paintings, Lumi Mizutani pays homage to Japan and its wonderful landscapes especially those at Higashiyama-ku in Kyoto and Ueno in Tokyo. The artist places a lot of emphasis on nature and trees in her works of art. This series is characterized by the use of India ink and colour pigments together with gold, copper and silver leaf.
Lumi Mizutani works on the alchemy between different elements she uses: paper, ink and water. Through the magic play of the materials, Lumi invites the viewer to enter the world of her artworks full of emotion. The artist juggles with the codes by using traditional techniques, on the one hand, and permanently reinventing with her own techniques, on the other.
- Creator:Lumi Mizutani (1948)
- Creation Year:2021
- Dimensions:Height: 10.63 in (27 cm)Width: 18.9 in (48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803116507982
Lumi Mizutani
Painter and lithographer, Lumi Mizutani draws her inspiration from traditional Chinese and Japanese painting techniques. Her ink drawings and her paintings extend this tradition, and, through constant experimentation, carry her towards new horizons. For a few years now Lumi Mizutani’s work has revolved around the duality between abstract and figurative, black and colour, the spontaneity of the gesture (the ink painting) and the patient composition work (the painting with pigment). Thanks to these antagonisms she finds the necessary and complementary resources to express herself. “I felt the desire to introduce colors, especially Japanese color pigments, familiar to my childhood. Japanese painting thus entered my artistic expression and my life. While respecting the ancestral techniques and codes, I strive to create a personal and contemporary footprint that challenges the viewer by the emotion it arouses.“
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