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Marilina Marchica"Frammento" Contemporary Art, Oil pain on Canvas , Large size Made in Italy2023
2023
$3,306.88
$4,409.1725% Off
£2,461.75
£3,282.3425% Off
€2,760
€3,68025% Off
CA$4,529.59
CA$6,039.4625% Off
A$5,037.90
A$6,717.2025% Off
CHF 2,630.63
CHF 3,507.5125% Off
MX$61,305.85
MX$81,741.1325% Off
NOK 33,597.20
NOK 44,796.2725% Off
SEK 31,508.25
SEK 42,01125% Off
DKK 21,010.92
DKK 28,014.5625% Off
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About the Item
Frammento/
Traces
oil on canvas
100x120 cm
2023
Original oil painting on canvas ready to hang
the canvas is stretched on an xxl wooden stretcher frame with a 3.5 cm border
the frame is not necessary but it is possible to apply it
Marilina Marchica, born in Agrigento, where she works and lives,
she graduated in Painting at the Academy of Fine Arts in Bologna in 2008.
Her research is oriented towards a reflection on the theme of subtraction and on the aesthetics of the sign at the limit of abstraction thanks to an investigation of architecture and the wall as an internal / external diaphragm. The dividing surface, in particular, "the wall or border" takes on a marked symbolic value in relation to collapses and demolitions as a metaphor for a universal and existential dimension.
Her works are present in many private and public Contemporary Art Collections.
In Marilina Marchica's search for the «authentic place»
coincides with the mental one; her work originates within a score in which the harmonization between space, volume, shape and texture assumes fundamental importance. A sort of homorhythm with the earth. This connection makes experience dialogue with what is now in an unprecedented form of landscape, scattered with decadent traces belonging to actions, words, through the changing action of matter and chemistry converted into art.
Marchica's works bear witness to the cyclical relationship between life and death: a continuous becoming whose elements, linked to the void and to an all too tangible absence, remain engraved and indelible like the footprints of the ground that we have trampled and that others after us they will trample, mixing our life with other stories and other events.
- Creator:Marilina Marchica (1984, Italian)
- Creation Year:2023
- Dimensions:Height: 47.25 in (120 cm)Width: 39.38 in (100 cm)Depth: 1.38 in (3.5 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Agrigento, IT
- Reference Number:1stDibs: LU1764211723262
Marilina Marchica
Marilina Marchica (Agrigento, 1984) lives and works in Agrigento. She trained at the Universidad Politécnica de Valencia and the Academy of Fine Arts in Bologna, where she graduated in Painting. He has participated in several exhibitions on national and international territory. In addition to the solo shows at the FAM Gallery in Agrigento, the A Sud Arte Contemporanea gallery in Realmonte, Spazio Hus Milano and the site-specific exhibition for the crypt of the Church of Santa Maria del Piliere in Palermo, we remember his participation in the FAM Prize of the Chiaramontane Factories of Agrigento and at the artist's residence in Villa Aurea - Valle dei Templi, curated by the Superintendency of Cultural Heritage of Agrigento. His works have been published in art magazines and volumes including "The New Collectors Book", edited by Basak Malone (New York, 2015). Her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, through the stripping, reduction and subtraction of figurative elements.
"my landscapes are" boxes "of memories,
day after day they welcome events and individuals who leave their marks and change their boundaries and appearance "
The aesthetics of the "Sign" in Marilina Marchica's pictorial production starts from a research on architecture
the wall as a diaphragm between inside and outside
this takes on a strong symbolic value for the artist, crystallizes collapses and demolitions, freeing them from oblivion and placing them in a universal dimension that alludes to life and its seasons.
This cyclical and dynamic trend, on the other hand, tends to expand in the "Landscapes" to take on an expanded dimension that aligns itself on the geographical horizons, evoked by a vision of reality bordering on abstraction.
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