Martin Yeoman

HOLIDAY BEACH WEYMOUTH.Martin Yeoman NEAC.RP contemporary British artist

2012

Martin produces atmospheric pieces; employing a rich, muted colour palette and velvet blacks to create a dream-like sensuality that pervades his work. The artist's forays into clay have also opened up an interesting dialogue between his sculpture and figure painting. Working across a broad range of mediums including chalk, pen and ink, pencil, oils, pastels, etching and clay, Martin has developed a style that draws inspiration from Francisco De Goya and Eugene Delacroix. His variety of mediums is matched by his diversity of subjects and genres, which include landscapes, seascapes, urban scenes, portraits, figure painting, sculpture and still lifesMartin Yeoman was born in 1953 and trained from 1975-1979 at the Royal Academy Schools, London. Since then he has been prolific in portraiture, still life, landscape and sculpture, and has undertaken notable commissions including Ed Sheeran...

Roy Petley After the storm as a freshness of colour and lucidity of brushstrokes found in his repertoire ensures his paintings remains exciting to the eye ‘Throughout his life he continued to pursue his objective of reproducing the ‘atmosphere and light’ that he sees all around him,’ The paintings that we n an age of “virtual reality” when the art of picture making is possible through the screen, and imagery is well considered when floating in formaldehyde, it is reassuring to find an evergreen of traditional values. Roy Petley has always lived life to the hilt, but he likes his friends to share his successes. He has known tough beginnings, but is aware of his talent and when he uses it to the full effect, it is devastating. Choosing familiar subjects he is able to embody each with feeling. Each image has something to say – the colour and draughtsmanship put in with a seeming casualness immediately awakening the viewer to the freshness of the work. More astonishing are his continuous successes, for whilst he has already become a legend in his own space, recent exhibitions overseas have proved that in reality his particular brand of figurative art is still very much alive and increasingly in demand. Roy Petley was the first born to what became a large family in Grantham, Lincolnshire in April 1951. Little affection was shown to him, and the only discipline was the bad tempter of his mother; by the time he was five he had been removed from his family and taken to the Woodlands school near Uckfield, Sussex. A home as well as a school for abandoned children. He cannot remember when he first began to draw – ‘Always, always’ is his claim – but it was at this school, and in the charge of his art master whose name he recalls as Price. He was a resident at the school for ten years, and tells a story fit for Vasari in that in being let loose in the art room, in a frenzied flurry of activity, he used in one week all of the material available for all of the pupils for one whole term. Formal recognition of his talent came when in 1967 at the age of sixteen he was awarded a place in the Brighton School of Art. With his family and educational background it had been decided without reference to him that he needed safe career prospect offered by training in commercial art. He found himself compelled to draw carefully and in great detail aesthetically unrewarding objects. When he asked if he might change to fine art he was refused. Regretting only that in some sense he had been betrayed by his art master at Woodlands, he cut short his term at University and hitch-hiked to Italy to see and learn from the great masterpieces that has so inspired him. He settled in Florence, haunting the Uffizi and Pitti galleries, examining with the closest scrutiny everything from Walter Paters...

Yuri Krotov was born 1964 in Grivenskaya Cossack Settlement, Krasnodar Territory, located close to the Azov Sea. At the age of 8 he met a local painter G.A. Polugaev who became his ...

Petley was only seventeen when he returned to England in 1968. At first, he headed for Belfast, Northern Ireland where the Bell Gallery provided support and encouragement for the you...

ARTIST: Stephen Brown RBA (1947-) British TITLE: “On The Beach At Beer Devon” SIGNED: lower right MEDIUM: oil on canvas SIZE: 75cm x 65cm inc frame CONDITION: excellent DETAIL: Steph...

Beach Scene, Norfolk Coast, Oil on Board Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on board 18.5 x 30 cm 7 1/4 x 11 3/4 in Signed with initials Provenance Jonleigh Gallery, Surrey Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Peter Greenham 1909-1992 Mundesley Beach, Norfolk, with Two Figures oil on canvas-board 15 x 19.5 cm 5 7/8 x 7 5/8 in Peter Greenham was a distinguished figurative painter of portra...

Mundesley Beach, Norfolk, Oil on Board Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on board 19.1 x 26.7 cm 7 1/2 x 10 1/2 in Initialled Provenance Jonl...