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Martyl Suzanne Schweig LangsdorfMartyl Schweig 1942 Oil Painting, Victor, Colorado, Ghost Town Landscape1942
1942
$9,500
£7,067.23
€8,285.77
CA$13,286.96
A$14,835.27
CHF 7,783.91
MX$183,093.52
NOK 97,844.76
SEK 91,551.12
DKK 61,813.28
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About the Item
This stunning original 1942 oil painting, titled "Victor, Colorado", is by acclaimed American artist Martyl Suzanne Schweig (1918–2013). A vibrant and historically rich landscape, this work captures the abandoned ghost town of Victor, Colorado, set against the majestic backdrop of the Rocky Mountains. Rendered in rich hues of green, gold, and earthy brown, Schweig brings to life the rugged beauty and quiet mystery of Colorado’s once-booming mining towns.
The painting was completed during a plein-air painting trip with noted artist Adolph Dehn, as the two toured and documented Colorado’s fading gold rush towns. This rare piece is signed by the artist and housed in a custom frame that enhances its historic character.
Framed dimensions: 31 ½ x 37 ½ inches
Image size: 29 ¾ x 32 ½ inches
Medium: Oil on canvas
About the Location: Victor, Colorado
Known as the “City of Gold Mines,” Victor is located at nearly 10,000 feet in the heart of Colorado’s Cripple Creek-Victor Mining District. In the late 1800s, it was one of the West’s most productive gold mining towns. Today, it stands as a hauntingly beautiful ghost town, a place of both historical importance and artistic inspiration. Schweig’s painting captures the soul of this once-vibrant community as it quietly fades into history.
About the Artist: Martyl Suzanne Schweig (1918–2013)
Martyl Schweig, also known professionally as simply “Martyl,” was a prolific American painter and muralist, best remembered for her plein-air landscapes and WPA-era murals. Born into a family of artists in St. Louis, Missouri, Martyl showed early promise—winning her first art award at age eleven and selling a painting to George Gershwin at just eighteen.
She trained at the Colorado Springs Fine Arts Center under noted artists Arnold Blanch and Boardman Robinson, where she refined her expressive, nature-focused style. Her travels through Colorado in the early 1940s inspired a series of paintings that immortalized the state’s ghost towns, including this rare depiction of Victor.
This rare and expressive oil painting is more than a landscape—it is a piece of American history, a glimpse into the post-Gold Rush West, and a testament to the artistic legacy of one of America’s most respected women artists. Ideal for collectors of Western American art, WPA-era works, plein-air landscapes, and female modernists.
- Creator:Martyl Suzanne Schweig Langsdorf (1917 - 2013, American)
- Creation Year:1942
- Dimensions:Height: 31.5 in (80.01 cm)Width: 37.5 in (95.25 cm)Depth: 1.75 in (4.45 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:very good condition.
- Gallery Location:Denver, CO
- Reference Number:Seller: 189201stDibs: LU27310640672
Martyl Suzanne Schweig Langsdorf
A plein-air landscape painter in styles of both realism and abstraction, Suzanne Schweig Langsdorf was known as Martyl, a name given to her by her artist-mother, Aimee Goldstone Schweig, for her daughter to use as an artist signature. She lived in Missouri and Illinois, although she traveled widely. From 1945 to 1972, she was art editor of the Bulletin of the Atomic Scientists, and from 1965 to 1970, she was an instructor at the University of Chicago. Martyl was born and raised in St. Louis, and her natural talents combined with the tutelage of her mother, led to early recognition as a child artist. At age eleven, she won a first prize for drawing at a competition of the St. Louis Art Museum, and the next year she won second prize. Throughout her career, she had numerous exhibition venues including the California Palace of the Legion of Honor, the Royal British Artists Gallery in London, and the Gibbes Museum in Charleston, South Carolina. Her mother became her frequent painting and traveling companion, and they went to "many parts of the globe in search of subject matter." (205) One of their early trips together was in 1930, when Martyl was twelve, to Provincetown, Massachusetts. Other trips included New Mexico, Colorado and Arizona where the Grand Canyon was one of the destinations. Early in her career, Martyl was a WPA (Works Progress Administration) muralist, and two of her murals are in post offices, one titled Wheat Workers in Russell, Kansas, and the other, La Guignolee, in Sainte Genevieve. Another mural, The Courageous Act of Cyrus Tiffany, completed in 1943, is in Washington DC at the Building of the Recorder of Deeds. Martyl graduated from Mary Institute in St. Louis and enrolled in Washington University where she studied art and history. In Missouri, she also attended Sainte Genevieve Summer School, which her mother had founded and served as director. In 1940 and 1941, Martyl went to Colorado Springs where she studied at the Fine Arts Center with Boardman Robinson and Arnold Blanch. In 1941, she married Alexander Langsdorf, Jr., who was a nuclear physicist, and the couple had two daughters. They lived in the St. Louis area until 1943 and then moved to Illinois, living in Chicago, Roselle, and from the 1970s in Schaumburg. Source: Phil Kovinick and Marian Yoshiki Kovinick, An Encyclopedia of Women Artists of the American West
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