Narcisse Berchere

Coastal Oil Painting with a Middle Eastern Minaret by Berchère

19th Century

Antique 19th Century Italian Orientalist Oil Painting Mosque Cairo Egypt Lovatti Italian, 1899 Canvas: Height 31cm, width 51cm Frame: Height 40cm, width 61cm, depth 4cm This is a v...

This exceptional painting depicts the Tomb of Esther and Mordechai with the Alvand subrange of the Zagros Mountains behind. This monument is located in Hamadan, Iran. The painting was created by the important 19th-Century artist, Charles-Théodore Frère (French, 1814-1888) for one John Wright-Osmaston (English, 1831-1901). Since Frère had never been to Iran, he based this painting on sketches and descriptions of the site found in a book written by Osmaston, titled ‘Old Ali’ or ‘Travels Long Ago’. This text recorded Osmaston’s travels across Scandinavia, Russia and the Middle East in 1860-61. The journey took eight months to complete and covered 11,000 miles. There are clear parallels between details in Frère’s painting and passages in Osmaston’s text. For instance, Osmaston describes how ‘just as the sun rose, a splendid view was opened up to us [...] It was exceedingly beautiful […] the mountains looking very remarkable in their icy covering, being curiously divided into an exact half by the snow-line; the upper half, in its mantle of white, the very picture of cold; the lower half, in its mantle of brown, hot-looking tawny, and bare.’ The Alvand range is depicted in just this way, with the brown mountains before the tall snowy peaks. In his account of visiting the Tomb of Esther and Mordecai, Osmaston also describes ‘A tall, old Israelite, with a long, white beard that had seen seventy summers at least...[who] led us in through a low doorway’ to the ‘two wooden sarcophagi, one in memory of Esther, the other of Mordecai’. Similarly, in this painting, a grey bearded man gazes out at the beholder and gestures to the tomb, as though inviting us to enter. By employing short, blended brushstrokes, Charles-Théodore Frère has managed to portray the scene in exceptional detail. The figures, horses, architecture and landscape are highly naturalistic in their depiction. Frère has also captured the beautiful warm rays of light, as they fall across the scene. Frère was an exceptionally talented artist, as demonstrated in this painting and in the fact that his work is today held in the Metropolitan Museum of Art in New York, the Heritage Museum in St. Petersburg, and many other prestigious international art galleries. This work is signed ‘Th Frere...

Large 19th century British Orientalist oil painting by Henry Lynton Stanton British, 1890 Canvas: Height 51cm, width 76cm Frame: Height 59cm, width 84cm, depth 5cm This vibrant oil ...

Antique Egyptian landscape oil painting by Noël French, 19th Century Canvas: Height 28cm, width 38cm Frame: Height 48cm, width 58cm, depth 6cm This stunning Orientalist landscape is...

Arabian scene - Francoise Vigneron Italia 2004 - Oil on canvas cm.70x50. Frame available on request from our workshop. In this beautiful oil on canvas Fr...

Copy of landscape titled "Edge of the Nile" showing group of men and camel by waters edge under palm tree, sailboat in background

German Orientalist oil on canvas painting of a street scene. Long shadows suggesting start of the day, complete with merchants, travelers, ar...

A beautiful 1940's French oil on board by Rosette Chicotot depicting figures in a North African town, possibly Marrakech. The work is signed lower left and presented in a silvered f...