Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 14

Nellie Augusta Knopf
In Glacier Park: 1920s Original Oil Painting of Glacier National Park, Montana

circa 1920s

$2,450
£1,859
€2,125.60
CA$3,421.99
A$3,804.78
CHF 1,986.65
MX$46,313.47
NOK 25,348.76
SEK 23,750.57
DKK 15,863.78
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

"In Glacier Park," an original oil painting by renowned artist Nellie Augusta Knopf, captures the serene beauty of Glacier National Park in Montana. This stunning piece depicts a peaceful lake surrounded by lush green foliage, with majestic snow-capped peaks in the background. The artist's masterful use of color and texture brings the landscape to life, with tranquil blue water reflecting the natural surroundings. Painted on canvas board, the artwork is signed by Knopf in the lower right corner and titled on the verso. Presented in a custom 12K gold leaf frame, it’s a remarkable example of early 20th-century landscape painting. Provenance: Kennedy Galleries, New York then to a Private Collection, Denver, Colorado This captivating piece is perfect for collectors of historical landscape art and those who appreciate the breathtaking vistas of the American West.
  • Creator:
    Nellie Augusta Knopf (1875 - 1962, American)
  • Creation Year:
    circa 1920s
  • Dimensions:
    Height: 17.5 in (44.45 cm)Width: 21.5 in (54.61 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
    very good vintage condition, detailed condition report available upon request.
  • Gallery Location:
    Denver, CO
  • Reference Number:
    Seller: 283841stDibs: LU27315566082

More From This Seller

View All
Vintage 1920s-30s Colorado Mountain Painting – Original Art of the Rockies
By Adma Green Kerr
Located in Denver, CO
Discover a stunning original vintage painting by early Colorado woman artist Adma Green Kerr (1878-1949). Painted between the 1920s and 1940s, this post-impressionist scene captures ...
Category

20th Century American Impressionist Landscape Paintings

Materials

Oil

Jenny Lake, Estes Park – 1950s Mid-Century Rocky Mountain Landscape Oil Painting
Located in Denver, CO
Immerse yourself in the breathtaking beauty of the Rocky Mountains with this stunning mid-century oil painting by renowned artist Clarence Durham. Capturing the tranquil waters of Jenny Lake...
Category

1950s American Impressionist Landscape Paintings

Materials

Oil

1940s Original Oil Painting of Boulder Canyon - Colorado Mountain Landscape
By Irene Fowler
Located in Denver, CO
This vintage 1940s original oil painting beautifully captures the essence of Boulder Canyon, showcasing the stunning Colorado landscape with majestic mountains and vibrant Aspen trees in their autumnal glory. The piece highlights the rich fall colors of gold, orange, and red as the Aspen leaves turn, reflecting the serene beauty of Colorado's mountainous terrain. Presented in a custom gold frame, the outer dimensions are 25 ¼ x 21 ¼ x 1 ½ inches, while the image size itself measures 22 ¼ x 18 ¼ inches. About the Artist: Irene Fowler (1884-1969) was an influential figure in the development of Denver's art scene. Born in Illinois, she moved to Denver where she became a public school teacher and a founding member of the Denver Artist’s Guild (now the Colorado Artist’s Guild). Throughout her career, Fowler painted stunning landscapes in oil and watercolor, most often working en plein air to capture the natural beauty of Colorado's diverse scenery. Known for her landscapes of Colorado, Fowler expertly depicted the unique features of the region: towering mountains, quaking Aspen trees, and rustic mining towns. Her work is marked by an exceptional understanding of the thin mountain air and luminous sunshine that make Colorado’s landscape so striking. Fowler was a prominent figure in the Denver art community, exhibiting her works at major venues such as the Schlier Gallery, Chappell House, the University Club...
Category

1940s American Impressionist Landscape Paintings

Materials

Oil

1920s Mountain Landscape Oil Painting of Manitou, Colorado with Pikes Peak View
By Charles Ragland Bunnell
Located in Denver, CO
"Manitou, Colorado with Pikes Peak View" is an original oil on canvas painting by renowned Colorado modernist Charles Ragland Bunnell (1897–1968), created circa 1928–1929. This vibra...
Category

1920s Abstract Impressionist Landscape Paintings

Materials

Oil

1940s Western Mountain Landscape Oil Painting – Snowy Peaks, American West
By Turner Messick
Located in Denver, CO
This original oil painting by Turner B. Messick (1878–1952) captures a serene Western mountain landscape, likely set in California or Colora...
Category

1940s American Impressionist Landscape Paintings

Materials

Oil

North Table Mountain (Landscape near Golden, Colorado), Early 20th Century Oil
By Robert Alexander Graham
Located in Denver, CO
Transport yourself to the picturesque landscapes of Golden, Colorado, with this breathtaking vintage oil painting on canvas by acclaimed artist Robert Alexander Graham. Dating back t...
Category

1920s American Impressionist Landscape Paintings

Materials

Oil

You May Also Like

Pacific Northwest Landscape of Lake Louise in Banff National Park
Located in Soquel, CA
Sweeping Pacific Northwest landscape of a beautiful Oregon lake, snow-capped mountains and redwoods by an unknown artist (American, 20th C...
Category

Late 20th Century American Impressionist Landscape Paintings

Materials

Masonite, Oil

Fantastic Oil Painting of Glacier National Park by Artist John Modesitt
By John Modesitt
Located in Chicago, IL
So perfect for your ski house! Fantastic oil painting of Glacier National Park by Artist John Modesitt. Artwork size: 8" x 10". Framed size: 12 1/2" x 14 1/2". Primarily self-taught, William was best known as a California Landscape Painter. His paintings were reminiscent of the California Impressionists with rich atmospheric perspective and depth. It is important to note that William had difficulty seeing distance due to an eye condition. He would create the illusion of depth with skillful painting techniques and his sophisticated use of color. William’s paintings were frequently available on the secondary market, in antique stores and auction houses, where they were often paired with early California painters such as Edgar Payne, William Wendt and Ray Strong...
Category

1990s Post-Impressionist Landscape Paintings

Materials

Oil, Panel

"Mount Rockwell, Glacier National Park, Montana, " Mountain Lake Landscape View
By Charles Warren Eaton
Located in New York, NY
Charles Warren Eaton (1857 – 1937) The Shadow of Mount Rockwell, Glacier National Park, Montana, 1921 Oil on canvas 20 x 24 inches Signed lower right: CHAS WARREN EATON. Provenance: The artist The Macbeth Gallery, New York Private Collection Sotheby's New York, American Art, April 14, 1989 ConocoPhillips, Houston Simpson Galleries, Houston, Fine Art & Antiques, May 18, 2019, Lot 447 Exhibited: New York, The Macbeth Gallery, Paintings of Glacier National Park by Charles Warren Eaton, December 13, 1921 - January 2, 1922, no. 2. Literature: "Two Exhibitions at Macbeth's," American Art News, New York, Vol. XX, No. 10, December 17, 1921. A contemporary critic wrote that the paintings of Charles Warren Eaton appeal to “the dreamers who find in them the undiscovered scenes in which their fancy long has dwelt.” Eaton’s contemplative landscapes exude a spiritual quality that moves the observer into a similar frame of mind. He loved to depict the ethereal light of dawn and dusk in late autumn or winter, usually without any reference to human or animal figures or buildings. These Tonalist paintings, with their subdued palette and relatively intimate scale, marked a definite break with the fading popularity of the panoramic and romantic views of the Hudson River School painters. Charles Warren Eaton was born in Albany, New York to a family of limited means. He began painting while working in a dry-goods store. At age 22, he enrolled at the National Academy of Design in New York City and then studied figure painting at the Art Students League. By 1886, he was successful enough to quit his day job and make a living as a landscape painter. That year, he traveled to Europe with fellow Tonalist painters Leonard Ochtman and Ben Foster. In France, Eaton visited popular artist’s spots such as Paris, Fontainebleau and Grez-sur-Loing, and fell in love with the loose brushwork and moody style of French Barbizon painting. Returning to the United States, Eaton fell under the spell of George Inness, the foremost exponent of Barbizon style in the United States. In 1888, Eaton settled near Inness in Bloomfield, New Jersey, where Eaton lived until his death in 1937. In this period, he painted shadowy and ambiguous landscapes inspired by rural scenery in the northeastern United States. His signature theme was a cropped view of the branches, trunks, and foliage of a pine grove silhouetted against a delicately illuminated sunset or moonlit sky. He painted this vision so often between 1900 and 1910 that he picked up the sobriquet ‘‘The Pine Tree Painter.” After 1910, Eaton responded to the popularity of Impressionism by using brighter colors and painting sunlit daytime scenes. In 1921, he was hired to paint Glacier Lake, in Glacier National Park by the Great Northern Railroad Company as part of their ‘See America First’ campaign. He produced more than 20 paintings, among the artist's last works, that now poignantly remind viewers of the vast disappearing glaciers. Eaton tended to approach this mountain scenery from an oblique vantage point; he liked to capture small episodes, showing mountaintops nearly obscured by dramatically attenuated screens of fir trees. Eaton, like many Tonalist artists of his generation such as Henry Ward Ranger, John Francis Murphy, and Charles Melville Dewey...
Category

1920s Tonalist Landscape Paintings

Materials

Canvas, Paint, Oil

Mid Century Wyoming Teton Mountain Range Landscape
Located in Soquel, CA
Expansive landscape painting of the Teton Range in Wyoming reflecting in a nearby lake by Alma McGovern (American, 20th century). Signed and dated "Alma '61...
Category

1960s American Impressionist Landscape Paintings

Materials

Canvas, Oil, Cardboard

Early 20th Century Alaska Landscape -- Still Lake with Aurora Borealis
Located in Soquel, CA
Luminous 1900 landscape of lake with mountains in background and stunning Aurora Borealis; a canoe rests on the shoreline by R. Briston (American, 20th Century). Signed lower left co...
Category

1920s American Impressionist Landscape Paintings

Materials

Linen, Oil

Mid Century Sierra Mountain Lake Landscape
By Lillian Jackson Heath
Located in Soquel, CA
Sweeping mid-century landscape of a lake and snow-capped mountains by Lillian Josephine Heath (American, 1864-1961). A gigantic, snow-covered mountain dominates the upper portion of the composition, rising above the rest of the landscape. In the shadow of the mountain is a valley lake, filled with snowmelt, with several smaller mountains in between. Signed "Lillian Heath" lower left. Displayed in a giltwood frame. Image, 20.5"H x 28"L. Lillian Heath was one of the Jolly Daubers at the turn of the 19th-century and as a young student, married the senior artist and instructor, Frank Heath in Santa Cruz, California. Artists Frank and Lillian [Heath] by Margaret Koch [transcribed from Santa Cruz Public Library website]….Frank L. Heath courted Lillian Dake Storey during painting trips around Santa Cruz County back in the 1890s. Those were the years when Lillian was riding a saddle horse daily from Santa Cruz to the Powdermill where she taught school. Today [1974] the Powdermill is Paradise Park. Frank's actual proposal of marriage was delivered at Rocky Falls, a beautiful scenic place on Carbonero Creek. There he had constructed a painting platform with a perfect view of the rushing waters, and it was there that he asked Lillian in that formal day and age, to be his bride. Frank was nearly 40 years old at the time, and Lillian was about 32. She had always been interested in art and had talent to a large degree. She took a year's leave of absence from teaching school to travel alone to New York where she visited relatives and stayed to study china painting and the painting of miniatures which is an art in itself. ‘When I returned from New York I enrolled in the art classes of a Santa Cruz artist who was making a name for himself,’ she once said with a smile. The artist was Frank L. Heath, and that was the start of their romance, she told me in 1959. She accepted Frank's proposal at Rocky Falls. At the Heath home on Third Street, Beach Hill, Frank added a wing with a large studio workroom downstairs and several bedrooms upstairs. That was his wedding gift to his bride. ‘The Studio’ had a fireplace and big bay windows that looked out over the town of Santa Cruz and back to the mountains they both loved and painted many times. Lillian painted a set of tiles for the fireplace; they showed darting swallows in the clouds above a stream where song birds perched on tulles and water lilies floated. In 1897 Lillian and Frank were married in the First Methodist Church and they moved into the home on Beach Hill, a house she continued to live in for 64 years. Frank's father, Lucien Heath, was the first Secretary of State of Oregon. He came to Santa Cruz from Oregon in 1866 with his wife, Jane, and sons, Frank and Henry. A daughter, Lina, had died in Michigan where the Heaths lived before crossing the plains to Oregon in 1852. [?] In Santa Cruz Lucien Heath opened one of the early hardware stores on Pacific Avenue in partnership with John Byrne...
Category

1940s American Impressionist Landscape Paintings

Materials

Canvas, Oil