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Regina Quinn
Silver and Gold (Abstract Landscape in Blue & Yellow Encaustic by Regina Quinn)

2024

$750
£563.42
€649.72
CA$1,040.72
A$1,156.47
CHF 606
MX$14,182.08
NOK 7,729.23
SEK 7,271.37
DKK 4,849.20
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About the Item

Silver and Gold (Abstract Landscape of Winter Forest in Blue & Yellow Encaustic) by Regina Quinn 2024 encaustic, India ink, and oil with wax on panel 6 x 6 unframed / 8 x 8 framed "Silver and Gold" is a small encaustic painting by Regina Quinn. While abstract, its construction is based in the landscape; it may be imagined, for example, to depict stormy clouds parting over the open water, allowing golden sunlight to from dark skies. It is primarily blue, dark bluish-gray and gold with textural irregularities on the surface of the encaustic wax. About the artist: After nearly three decades in Vermont’s Northeast Kingdom, Regina now lives in New York’s Northern Catskills. Although she is a New York City native, she has spent most of her adult life in the northern mountains which are a continuous source of inspiration for her work which is rooted in a deep connection to the natural world, combined with her sense of stewardship for the fragile balance that allows life to exist and thrive on this planet. Regina holds a Special Studies in Fine Arts degree from Trinity College where she received the Peyser Art Award, first prize and a Master’s Degree in Educational Leadership from the University of Vermont. She exhibits her work extensively in galleries, art centers and museums across the country and has several of her encaustic paintings included in the permanent collection of the Williamsburg Art and Historical Center, in Brooklyn, NY, and the Museum of Encaustic Art - Encaustic Art Institute in Santa Fe, NM. Regina teaches encaustic workshops internationally and serves on the Board of Directors of International Encaustic Artists. She has received numerous awards for her work, including the 2020 Faber Birren National Color Award and the 2021 Cooperstown Art Association’s Essential Art Grand Prize. "I was struck by the luminosity and subtlety of Doug and Mike Starn’s encaustics in 2014, and immediately sensed that encaustic was my medium—one that could give voice to my aesthetic, my sensibility, and my quiet personality. I haven’t looked back. I work almost exclusively with encaustics and oils with beeswax, and recently began using those media over watercolor. Beginning with watercolors on gessoed panels, I build opaque and transparent encaustic layers, carving and scratching into them with blades and knives creating depth and texture. Next, I apply oils mixed with beeswax, enhancing texture and luminosity. Layering, carving, scraping and incising allow earlier layers to emerge, much the way geological and weathering processes obscure and expose, and as visual memories come into focus even as they fade away."
  • Creator:
    Regina Quinn (American)
  • Creation Year:
    2024
  • Dimensions:
    Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: LU22715658832

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