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René Monzón Relova “Pozas”The Illusion of Havana, Highly Detailed Landscape with Water & Rolling Hills2020
2020
$2,240
$2,80020% Off
£1,699.66
£2,124.5820% Off
€1,943.41
€2,429.2620% Off
CA$3,128.67
CA$3,910.8420% Off
A$3,478.66
A$4,348.3220% Off
CHF 1,816.36
CHF 2,270.4520% Off
MX$42,343.74
MX$52,929.6820% Off
NOK 23,176.01
NOK 28,970.0120% Off
SEK 21,714.81
SEK 27,143.5120% Off
DKK 14,504.02
DKK 18,130.0320% Off
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About the Item
***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions.
This small scale painting draws the viewer in with its painstaking detail. Each leaf and blade of grass a rendered in tiny brush strokes making the painting feel much larger than it is. Vivid greens and crystal clear water create an almost fish-eye perspective. This oil on panel painting is framed in a rich brown wooden frame measuring 13.25 x 21.25 inches
"Pozas" René Monzón Relova
The Illusion of Havana
oil on panel
8h x 16w in
20.32h x 40.64w cm
PZS044
René Monzón Relova, “Pozas”
b. 1966, Havana, Cuba
Cuban born “Pozas” is a self-educated artist. After completing his studies in Electrical Engineering, he abandoned his career to dedicate himself entirely to painting. His first exhibitions in Cuba were done in impressionistic style but He later turned to hyperrealism/surrealism with landscape and nature as the focus—at which time his work is classified with the “Contemporary Cuban Painters” group. He exhibited in numerous exhibitions in Cuba where appreciation for his painting achieved international recognition. His work is included in collections in Italy, Spain, Venezuela, Mexico and the United States. In 1995, Pozas traveled to Madrid in Spain and decided to make it his home.
The person shown in the pictures is my wife. In them, I reflect on her desire to be alone with nature. Time is not important, only the place that choose to feel the peace she needs. Nature overflows in my work. To copy a landscape does not help me, for I am not satisfied with just that. I believe in the imagined, modeled landscape. Because nature is as interesting to discover as it is to imagine, there is always a place you thought of.
Each landscape is a dialogue of the person with the trees, the rivers, roads, hills, and seas. The shapes and the curves that draw the horizon, or the limit where they begin or end, and the forests, are eager to get out of the pictures.
Wind turbines are one of the things created by man that always attract my attention. I do not fight against them in my paintings, only I try to mimic their appearance and turn them into a kind more.
- Creator:René Monzón Relova “Pozas” (1966, Cuban)
- Creation Year:2020
- Dimensions:Height: 8 in (20.32 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:Seller: PZS0441stDibs: LU55437019792
René Monzón Relova “Pozas”
René Monzón Relova “Pozas”
b. 1966, Havana, Cuba René Monzón Relova, otherwise known as Pozas, was trained in Havana, Cuba as an Industrial Engineer, a profession he decided to put aside to devote himself entirely to painting. He exhibited in numerous exhibitions in Cuba where appreciation for his painting achieved international recognition. In 1995, Pozas traveled to Madrid, Spain and decided to make it his home. His first exhibitions in Cuba were done in impressionistic style but he later turned to hyperrealism/surrealism with landscape and nature as the focus. The self-taught artist’s initial impressionist work evolved focusing on the landscape as the main theme. Here he captured a photographic realism, where the light, serenity and depth of the imaginary fields envelop the viewer's gaze and invite him to abstract himself to discover how small we are. There is sometimes a lone person portrayed in his work, usually his wife or his son. Pozas places the figure in peaceful, nature filled environments, alone and in commune with nature. Sometimes the figure is not there at all, but just a feeling that they once stood in this place. Nature overflows in his work. To simply copy a landscape does not satisfy the artist. He believes in the imagined, modeled landscape of his dreams.
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