Suzanne Crochet

1930's French Post Impressionist Oil Painting Lady Gleaning in Harvest Fields

c. 1930's

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. dated 1941 Size: painting: 1...

Artist/ School: Suzanne Crochet (French c. 1930) French Impressionist artist Title: The Harvest Field Medium: oil on board, unframed and double sided image board: 9.5 x 13 inches ...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed dated 1941 Size: painting: 13...

The Harvest Workers by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 11 high by ...

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. Albert Naur first studied Philosophy and Law in Copenhagen (1908...

Summer during the hay harvest Middle of the 1940s, oil on cardboard, 40,5x53 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of app...

The Harvest - Dutch Farm Scene, Original Oil Painting On Canvas Original oil painting depicting Dutch farm workers in a vibrant gold colored field by Dutch artist Von Hassler (Nethe...

Oil on canvas on board, signed lower left Image size: 10 1/2 x 14 inches In the course of a long and varied career, Sep Scott exhibited in the Royal Academy and was a member of the Royal Watercolour Society. Scott produced some famous works for the railway poster campaigns in his early years. He became a book illustrator and one of the highest paid and respected of all British poster artists. Towards the end of his life, during a period when his style had gone somewhat out of vogue, he began working for Leonard Matthews and his trio of comics, Knockout, Sun and Thriller Comics Library. At first, Scott was used for picture strips, drawing all the adventures of the pirate hunter, Captain Flame, and proving to be a natural born strip artist. Then, when Matthews took over Thriller Comics Library, Scott began to paint the covers. He drew scores of full colour cover paintings, which would, as Leonard Matthews commented, “grace the walls of any stately home”, and were, in all probability, largely responsible for the success of the Library and the fact that these comics are so valued today amongst collectors. Scott also drew a number of short Robin Hood strips for the Library and some fine full-length adventure picture stories including Jane Eyre, Pride of the Ring, Secret Operator and the splendidly atmospheric, The Dark Shadows of London. For a short period, he also painted the occasional cover - and back page - for Comet and Sun and also contributed some paintings for the first Buck Jones Annual and the covers for both issues of the Billy the Kid Book...