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Edouard Plisson - Mid 20th Century Oil, The Willows

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Well presented in a dark wood frame with gilt slip. Signed. On board.

This impressionistic landscape painting captures a serene pastoral scene featuring tall winter trees framing an open field or meadow under a soft, clouded sky. Signed to the lower l...

This pastoral landscape painting depicts a serene countryside scene featuring rolling green hills, mature trees, and a winding stream that meanders through the verdant terrain. Sign...

Signed to the lower left. Presented in a gilt frame with a silver slip. On paper.

Antique French framed landscape oil painting on stretched canvas. An animated mid-century oil painting in a very attractive vintage Montparnasse wood frame. A riverscape setting wi...

Henri Joseph Pauwels. Belgian ( b.1903 - d.1983 ). Paysage Arboré. (Wooded Landscape). 1966. Oil On Artist’s Board. Signed & Dated Lower Left. Image size 14.2 inches x 17.3 inches ( 36cm x 44cm ). Frame size 21.1 inches x 24.6 inches ( 53.5cm x 62.5cm ). Available for sale; this original oil painting is by the Flanders artist Henri Joseph Pauwels and is dated 1966. The painting is presented and supplied in a sympathetic contemporary replacement frame (which is shown in these photographs). The painted surface is entirely in its original untouched condition. No restoration, cleaning or conservation has been performed on the artwork. This vintage painting is in a good sound decorative condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower left. Previously with Galerie Jean-Marr, Le Havre, France. Henri Joseph Pauwels was a notable twentieth century Flemish painter, rooted in Impressionist traditions. He was born on 16 December 1903 in Sleidinge near Antwerp. He died on 12 March 1983 in Beveren-Waas. Pauwels trained academically in Paris, then in private studios in Antwerp. His early works demonstrate his academic training, but he was heavily influenced by Impressionism and his later work has a more vibrant palette and airy, loose brushwork. He was known for his plein air technique, as shown in this piece. Pauwels exhibited widely, mainly in Paris, Brussels and Amsterdam and was successful both before and after WWII. Some of his works are held in public collections, including the Ghent Museum. His works were highly collectable amongst his contemporaries in Belgium, France and the Netherlands. He is known for a range of genres but is best known for his large canvases of romantic landscapes and country life. He also painted harbour scenes and some still life. His works remain collectable for their optimistic, poetic and nostalgic views of wholesome country life. © Big Sky Fine Art Discover Paysage Arboré, an original 1966 oil painting on board by Belgian artist Henri Joseph Pauwels (1903–1983). This tranquil landscape captures a lush, tree-lined riverbank rendered in rich Impressionist brushwork and a naturalistic palette of greens, browns, and blues. Signed and dated in the lower left, this collectible work showcases Pauwels’ mastery in capturing light, texture, and atmosphere in the Flemish countryside. A fine example of mid-20th century Belgian landscape painting...

Italian painting from the first half of the 20th century. Framework oil on board depicting a wooded landscape with a character of good pictorial quality. Modern frame in carved and g...

Landscape signed lower left beautiful original gold leaf frame. ​ Frank Peyraud earned a lasting reputation for rural landscapes, especially snow scenes in broadly defined forms and glowing colors. Excepting a trip from 1921 to 1923 to Italy and Switzerland, he was based in Chicago, where a Registrar of the Chicago Art Institute in materials for a traveling exhibition, described him as the "dean of Chicago landscape artists." (Richter) Peyraud was one of the first American painters to focus on the Midwestern landscape and did many river and farm scenes including his signature snowscapes. Many of his paintings reflected Impressionism, an abstract style executed with rapid technique and broken brushstrokes brought over from France towards the end of the 19th Century. Impressionism received much attention in Chicago in some of the artwork exhibited at the 1893 Exposition. Of Peyraud and Impressionism, it was written that "he was the most successful of the progressive Chicago painters who experimented with impressionist approaches in the years following Exposition." He was credited with more discipline of execution than many of his peer impressionists and with a "valid impressionism", (Greenhouse) that conveyed poetic interpretations to what many persons regarded as very ordinary rural Illinois landscape. His snow scene haystack painting, Winter Light on the Farm, in the Marshall Collection of Peoria and exhibited at the Terra Museum, shows "crystalline atmosphere and fleeting light of a waning winter afternoon". (Greenwood) and seems to reference the serial haystack paintings by Claude Monet. Many of Peyraud's works had luminous back-lighting, and careful arrangement of contrasting shapes, and a tone inviting the viewer into a "slightly enchanted world into which quotidian human elements rarely intrude." (Richter) Peyraud was born in Bulle, Switzerland, and enrolled as an architecture student at the Ecole des Beaux-Arts in Paris. In 1881, at age 22 and an established architect in France, he emigrated to Chicago where he spent the remainder of his career. He found employment there as a cyclorama painter, which meant creating huge panoramic paintings in the round, "forerunner of the wide-screen motion picture." (Richter). In 1891, he became involved in retouching Paul Phillipoteaux's panorama, The Battle of Gettysburg, when it came to Chicago for exhibition He continued to work on panoramic and cycloramas spectacles including The Creation for the 1903 Louisiana Exposition. Spring Painted Desert in the Santa Fe Railroad Collection shows at least one trip West. Peyraud also did mural painting, several of them in Peoria, Illinois including a series of allegorical murals with Hardesty Maratta in the Peoria at the newly-built Public Library. In Peoria, he also taught classes and gave lectures. In 1906, he married Elizabeth Krisher, a portrait painter, and illustrator. Sources include: Marianne Richter, Union League Club of Chicago Art Collection, "Frank Charles Peyraud...