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UnknownKnole House, English School 19th Century Country House Landscape Oil
$9,737.69
£7,200
€8,524.30
CA$13,463.20
A$15,081.05
CHF 7,921.11
MX$183,380.75
NOK 100,307.16
SEK 95,218.47
DKK 63,620.11
About the Item
English School
19th Century
Knole House
Oil on canvas
Image size: 22 ½ x 35 ½ inches
Gilt frame
This is not only a very beautiful work of art but also a very important historical document of the estate. This painting is part of a great tradition of views of country houses in Britain, which first become celebrated in the work of artists such as Jan Sibrechts, Leonard Knyff and Jan Griffer.
Although the artists name evades us currently, it is by someone trained and highly competent. The sense of perspective and delicate representation of the sky to point out just a few of its artistic merits.
The painting depicts Knole House situated in Kent. The house is a complete early Jacobean remodelling of a medieval archiepiscopal palace. From an even older manor house, it was built and extended by the Archbishops of Canterbury after 1456. It then became a royal possession during the Tudor dynasty when Henry VIII hunted here and found the place a useful residence for his daughter - later to become Mary I - during his divorce from her mother, Catherine of Aragon.
From 1603, Thomas Sackville made it the aristocratic treasure house for the Sackville family, who were prominent and influential in court circles. Knole's showrooms were designed to impress visitors and to display the Sackville family’s wealth and status.
Its national importance is primarily for its 17th-century structure, in 1673, John Evelyn called it '‘a great old fashioned house'.
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View AllInterior of Knole House, 19th Century Oil on Canvas Painting
Located in London, GB
This grand scene depicts the interior of Knole House, a country house and former archbishops palace. Situated within the 1,000 acre Knole Park the house ranks in the top five of England's largest houses occupying a total of four acres.
The majority of the canvas is given to a well furnished drawing room resplendent with various paintings, tapestries and furniture. To this day Knole House has one of the finest collections of 17th century English upholstered furniture in the world. Much of it was made for the royal palaces of the ruling Stuart dynasty and is of the highest quality. It is likely that the chair and footstools seen her originally came to Knole house as part of the vast collection put together by Charles, 6th Earl of Dorset.
This work has incredible intricate detail in all aspects of the space including the depiction of flowers in vases, a bird in a cage and adorned trinkets. On the armchair sits an English guittar, popular in Victorian Britain. The instrument is recognisable for its pear-shaped body, flat base and rather short neck.
A dog stands before an opened door leading further into the house. In the distance we are given just a glimpse of a lady and gentleman conversing at the window. From here a lovely flow of daylight floods into the rest of the scene making the whole work bright and airy. In the foreground on the windowsill is a music book with pages open and an untouched peach. This perhaps signifies the sudden rush of the young woman away from her resting place to meet the unexpected suitor outside.
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