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Walter Williams19th Century landscape oil painting of a Sussex harvest field at sunsetC1865
C1865
$6,259.66
£4,600
€5,404.24
CA$8,599.70
A$9,600.76
CHF 5,030.65
MX$117,522.72
NOK 63,889.35
SEK 60,239.55
DKK 40,332.37
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About the Item
Walter Williams
British, (1834-1906)
Harvest Field at Sunset, Clayton near Brighton Sussex
Oil on canvas, signed
Image size: 15.5 inches x 23.5 inches
Size including frame: 21.5 inches x 29.5 inches
Provenance: Burlington Paintings, London
A beautifully lit painting of figures harvesting at sunset by Walter Williams. Farm workers are shown gathering sheaves in a field and standing them into shocks as evening falls. In the distance, the original Clayton windmill known as Jill can be seen rising above the landscape on the crest of a hill. Clayton is a small village which lies at the foot of the South Downs in Sussex. It is famous for its two windmills named Jack and Jill, which stand at the site of Duncton mill. Jill was the first windmill built in 1821 with Jack being built in 1866. Given the absence of the second windmill in the painting, this would suggest the work was executed by the artist prior to this date.
Walter Williams was born in North London on the 29 November 1834 to the artist George Augustus Williams (1814-1901) and his wife Caroline Francis (nee Smith). He was part of the Williams family of artists founded by his grandfather Edward Williams (1781-1855). His uncles Edward Charles Williams (1807-1881), Henry John Boddington (1811-1865), Arthur Gilbert (1819-1895), Sidney Richard Percy (1821–1886) and Alfred Walter Williams (1824–1905) were all artists.
He was christened George after his father, but later used his middle name to distinguish between the two. He lived with his family in Liverpool Street on the Grays Inn Road in London until around 1846 when they moved to Castlenau Villas in Barnes. Williams was taught by his father and may have also received guidance from other members of the Williams family including his Grandfather. His father worked out of neighbouring studios with his grandfather and uncles and Williams and his cousins often joined them there to paint.
He made his debut at the Royal Academy in 1854 and went on to exhibit at the British Institution and the Society of British Artists. On 27 June, 1857 he married Jane Pearcy (1832-1872) who was also an artist. They lived at 8 Lonsdale Terrace (later Lonsdale Road) in Barnes and went on to have two children, Florence and Cyril who inherited their parent’s talent. After the death of his wife in 1872 he continued living at Lonsdale Terrace and later married for a second time. Sometime around the late 1890’s he moved with his wife Mary to 20 Lonsdale Road. Williams died in Richmond on 14 April, 1906.
Examples of his work can be found at the Beverley Art Gallery and Hastings Museum & Art Gallery.
Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
- Creator:Walter Williams (1835 - 1906, British)
- Creation Year:C1865
- Dimensions:Height: 21.5 in (54.61 cm)Width: 29.5 in (74.93 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Nr Broadway, GB
- Reference Number:1stDibs: LU156216214502
Walter Williams
Walter Williams was one of the four sons of Edward Williams. On 2 June 1857, Walter Williams married Jane Pearcy at St George’s, Hanover Square, not then a very salubrious district. His wife was the daughter of William Pearcy, a glass dealer, who was related to Clara Boddington. Jane and Walter lived in apparently comfortable circumstances at 8 Londsdale Terrace, Barnes. Walter Williams was a landscape painter working mainly in Wales but also in England. He was a member of the Williams family of painters and was the son of George Augustus Williams. He exhibited mainly at Suffolk Street, also at the Royal Academy between 1854 and 1880 as well as at the British Institution. Williams exhibited thirty-two paintings at the Royal Hibernian Academy and also at the Royal Society of British Artists, Manchester City Art Gallery and the Royal Society of Artists, Birmingham.
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Image size: 15.5 inches x 23.5 inches
Size including frame: 23 inches x 31 inches
A pleasing landscape scene of a harvest near Cooksbridge, Sussex by Henry John Kinnaird. Figures are shown harvesting a crop in the foreground; whilst in the field beyond others stack sheaves onto a hay cart. A cottage and other buildings can be seen nestled amongst trees to the right. Cooksbridge is a village situated in the parish of Hamsey in Sussex a short distance from Lewes. It sits on the edge of the South Downs National Park, England’s newest national park which was designated in 2010.
Henry John Kinnaird was a landscape artist born on 7 June, 1861 at Old Church, St Pancras in London. He was the eldest son of Francis Henry Kinnaird (1836-1916), who was an artist and his wife Charlotte née Lee. His brother Francis Joseph ‘Wiggs’ Kinnaird (1875-1915) also became an artist. Both were probably tutored by their father as their style and subject matter are similar, but Henry is also known to have taught his brother art. He spent his time on painting trips around the country and visited areas such as Buxton in Derbyshire where he met his future wife.
He made his debut at the Royal Society of British Artists in 1880 from his parents address at 98 Brecknock Road, Islington with a work entitled ‘In the Green Woods, near Buxton’. By the time of his marriage to Alice Mary Leyland on 6 Feb, 1883 at Buxton he had established himself as a full time artist. The couple spent their early married life at 38 Leighton Road, Camden and had 2 children together.
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Presentation: The work is housed in a new English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.
© Benton Fine Art
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