William Henry Williamson (1820-1883)

Victorian Signed Oil Painting Fishing Boats in Choppy Seas off Old Harbour

1874

Artist/ School: Abraham Hulk jnr 1851 - 1922, signed Title: Fishing boat off a jetty in a blow. Medium: signed oil painting on board, framed. Size: framed: 9.5 x 13.5 inche...

James Hardy (British contemporary, 21st century) signed oil painting on board, framed board: 8 x 10 inches provenance: private collection condition: overall very good

A Beach Scene With Figures George William Mote (1832-1909) British, signed oil painting on canvas, framed framed: 25 x 28 inches canvas: 22 x 27 inches provenance: private collectio...

The Departing Day by Frank Hider (1861-1933) signed oil on canvas, framed framed: 20 x 24 inches canvas: 14 x 18 inches provenance: private collection, UK...

William Thornley was a painter of coastal scenes whose work is very similar to Hubert and Charles Thornley, who may have been members of the same family. He painted scenes of genre, architecture, and landscapes as well. A number of the landscapes were of Belgium, Holland, Italy, and Norway. However, it is for his seascapes that he is best remembered. Thornley’s works are beautifully detailed and show a masterful understanding of the moods of both weather and sea. They are often small in size and put together with fine detail and great artistic merit. Thornley’s fishing scenes are spirited and similar in style to those of “Jock” Wilson, and are often painted in pairs. Thornley’s works have always been popular when they appear on the art market. He was believed to have first exhibited marines at the Royal Academy in 1859 from an address in Paddington, London and also at the British Institution from 1861 until it closed in 1867. He continued to exhibit at the Royal Academy until 1898. Thornley also exhibited at the Paris Salon and the Salon of French Artists, receiving an honorable mention in 1881 and a third-place medal in 1888. William Thornley also went by the names Georges William and William...

Oil Painting by George Henry Knight "Fishing boats of the South Coast" by 1851 - 1922 Painter of atmospheric south coast views with good breeze and swell represented in the National ...

William Henry Williamson (British, fl. mid to late 19th Century) Fishing Boats off the English Coast Oil on canvas, signed lower left Circa 1870–80 Presented in a period gilt frame ...

George Stainton British, (1838-1900) Fishing Vessels off a Harbour Early Morning Oil on canvas, signed Image size: 23.25 inches x 35.25 inches Size including frame: 31 inches x 43 inches A wonderful coastal marine painting of boats off a busy harbour at dawn by George Stainton. A large ship is depicted having weighed anchor and with sails unfurled as a supply boat arrives port side. In the foreground, a group of fishermen can be seen in a rowing boat waiting for their next catch. In the distance, lies a busy harbour, possibly Chatham Dockyard. George Stainton was a marine and landscape artist who was born in Aston, Birmingham in October 1838 to John Stainton and Ann Horton. By the age of 12, he was working as a paper mache painter and then later as a Japanner before becoming a full-time artist. He specialised in painting seascapes and river scenes in the style of Abraham Hulk and was influenced by the Dutch school. He exhibited at the Royal Society of Birmingham Artists from 1865 and also at the Walker Art Gallery, Liverpool. He married Clara Adelaide Mason (née shears), a widow on 8 November, 1866 and together they lived in Addesley Street, Aston. The couple had 8 children and one of their sons Ernest Stainton became a lithographic artist. During the mid to late 1870’s he lived at Walnut Terrace in Kyrwicks Lane in the Sparkbrook area of Birmingham. However, by 1881, Stainton had moved to nearby Moseley Road where many Birmingham artists of the industrial period lived and also took up photography. Sometime during the late 1880’s early 1890’s, he made his final move to Pembroke Villa, 14 St Pauls Road, Moseley Road. He died at his home on 25 April, 1900. Whilst Stainton lived in Birmingham all his life, he travelled around the country painting coastal views of the Bristol Channel, Portsmouth and the Medway, as well as river scenes of the Thames, Tyne and Mersey. He also visited Scotland and Northern France. His works are beautifully detailed and show a masterful understanding of the moods of the weather and movement of the water. His paintings have always been popular when they appear on the art market. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art