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RMS QUEEN MARY
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William McDowellRMS QUEEN MARY
About the Item
- Creator:William McDowell (British)
- Dimensions:Height: 37.75 in (95.89 cm)Width: 24.75 in (62.87 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU5241028263
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Located in London, GB
Norman Lloyd
Australian 1897 - 1985
Summer on the Seine
Oil on canvas, signed lower right
Image size: 30 x 38 inches
Hand made frame
Norman Lloyd was born in 1895 near Newcastle, New South Wales, where he attended school. He left school in 1911 and started to work and study painting with Julian Ashton and James R. Jackson in Sydney.
On his 21st birthday in 1916 he enlisted with the Australian Imperial Forces. He was transported to Europe where he was seriously wounded in battle a year later. After returning to Sydney in February 1918, he took up painting lessons at the Julian Ashton Art School again.
From 1921 to 1926, Lloyd exhibited with galleries in Sydney and Melbourne, showing landscapes and Sydney harbour scenes painted in the more traditional style of his teachers.
From 1926 to 1929, Norman Lloyd visited Europe and travelled widely in Italy and France, exhibiting in the UK, France and Australia, culminating in a solo exhibition at Macquarie Galleries in Sydney.
In the 1930s, Lloyd migrated to London with his wife Edith for good, setting up a boarding house in upmarket St Johns Wood and establishing himself quickly in the new society, being a kind, generous and interested man with a broad horizon.
His mansion became a meeting point and home for many Australian expats, among them painters Will...
Category
Mid-20th Century Art Deco Landscape Paintings
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Evening, The Lizard Lighthouse, 20th Century Art-Deco Signed Oil
By Norman Howard
Located in London, GB
PRICE REDUCED - previously £8,000, now £5,000
Norman Howard
1899 - 1955
Evening, The Lizard Lighthouse
Oil on canvas, signed lower left
Image size: 23 1/2 x 27 1/2 inches
Art D...
Category
20th Century Art Deco Landscape Paintings
Materials
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HARROW SCHOOL, Art-Deco 20th Century Signed Oil and Gouache
By Norman Wilkinson
Located in London, GB
Norman Wilkinson CBE PRI
1878 – 1971
HARROW SCHOOL
Oil and gouache on paper, signed lower right
Image size: 30 × 45 inches (76 × 114 cm)
Original frame
Provenance
Commissioned by L...
Category
20th Century Art Deco Landscape Paintings
Materials
Oil, Paper, Gouache
RHUDDLAN CASTLE, 20th Century Art-Deco (Artwork for Travel Poster)
By Norman Wilkinson
Located in London, GB
Norman Wilkinson CBE PRI
1878 – 1971
RHUDDLAN CASTLE
Oil on canvas, signed lower right
Image size: 30 x 45 inches (76 x 114 cm)
Hand made frame
Provenance
Commissioned by London, Mi...
Category
Early 20th Century Art Deco Landscape Paintings
Materials
Oil
Spring in Dorset, 20th Century English Oil Landscape, Female Artist
Located in London, GB
Oil on board
Image size: 12 1/2 x 15 1/2 inches (31.75 x 40 cm)
Contemporary style handmade frame
Exhibitions
1952 Royal Academy of Arts Exhibition, Gallery no. VII, no.429.
This forest scene invites the viewer into a multi-sensory event where the cool, damp shadows of the foliage can almost be felt and the rich bouquet of the forest floor recalled. Here, Sherlock has chosen a somewhat unusual angle and composition, dissecting each truck and tree form so that only a part can be seen. Furthermore, as we look into the depths of this space it becomes clear that we are stood gazing down into a valley that is in the distance, behind this wooded area. Indeed, instead of giving us an uninterrupted view of this vista, as perhaps would be expected, this view is deliberately blocked and our focus is directed instead towards the organic forms in the foreground.
The Artist
Marjorie Sherlock was born at Fir Tree Cottage, George Lane, Wanstead, Essex, on 3 February 1891, the elder child of the civil engineer, Henry Sherlock, and his wife, Alice (née Platts), who was born in Benares, India. By 1901, the family was living at ‘The Limes’, 121 Mill Road, Cambridge, and Marjorie received an education locally. In 1918, she entered into marriage with her cousin, Major Wilfrid Barrett, though this proved unsuccessful and they later divorced (he remarrying in 1941). She then continued to live at the family home until the Second World War.
During the First World War, Marjorie Sherlock studied at Westminster Technical Institute under the Camden Town School painters, Walter Sickert and Harold Gilman.
She exhibited at the Royal Academy of Arts from 1917, when she showed a powerful view of the interior of Liverpool Street Station (Government Art Collection) (to which the current etching [202] relates). In time, she would exhibit at the International Society, the New English Art Club, the Royal Society of British Artists, the Society of 207 Graphic Art and the Women’s International Art Club (becoming a member of the last two). She also showed work internationally.
Developing as a printmaker as well as a painter, Sherlock studied etching under Malcolm Osborne at the Royal College of Art in 1925. She published her etchings in four series, the titles of which indicate her love of travel: ‘English Etchings, ‘Egyptian Etchings’ (both 1925), ‘German Etchings’ (1929) and ‘Indian Etchings’ (1932). During this period, she also visited the united States. More admiring of Continental painters than British ones, she furthered her studies, in 1938, by working in Paris under André L’Hôte and André Dunoyer de Segonzac.
During the Second World War, Sherlock moved to East Devon and settled at Oxenways, a Victorian hunting lodge...
Category
1950s Modern Landscape Paintings
Materials
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Kirkstall Abbey, 19th Century Romantic Moonlight Oil Landscape
Located in London, GB
William Henry James Boot
1848 - 1918
Kirkstall Abbey
Oil on canvas, monogrammed lower right and dated 1876
Image size: 24 x 36 inches (61 x 91.5 cm)
Exhibited Royal Academy, 1878 no. 692
Much like his contemporary, John Atkinson Grimshaw, Boot appears to have been influenced by the Pether family who were renowned painters of nocturnes. He was a book illustrator as well as a renowned oil and watercolour artist, producing engravings for the London Illustrated News and Art Journal. He wrote 'Trees and How to Paint Them' in 1883.
Boot was born in Manchester. He exhibited at the Royal Academy from 1874 to 1884, showing mainly English and Continental landscapes. He is known to have travelled extensively in Germany, France and North Africa.
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Boot lived and married in London. He is buried with his wife in Hampstead.
The subject of this painting, Kirkstall Abbey in Yorkshire, was a place Boot often visited. Three figures to the right gaze admiringly at the view, with the moonlight reflected on the path they stand on.
THIS PAINTING IS IN THE 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' EXHIBITION CURRENTLY SHOWING AT DARNLEY FINE ART...
Category
19th Century Romantic Landscape Paintings
Materials
Canvas, Oil
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$1,772