Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 15

William Ritschel
'Moonlight Sonata', Munich School, National Academy, California, Carmel, PPIE

Circa 1925

$14,500
£11,010.19
€12,590.98
CA$20,258.60
A$22,531.99
CHF 11,765.50
MX$274,190.33
NOK 150,263.44
SEK 140,920.60
DKK 93,971.30
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Partial signature, lower right, "..chel", for William (Wilhelm) Frederick Ritschel (German-American, 1864-1949) and painted circa 1925 (Graphite landscape sketch, verso). Accompanied by certificate of authenticity. Born in Germany, William Ritschel first attended the Latin and Industrial School in Nuremberg. In his youth, he worked as a sailor and it was during this period that he began to develop his talent for sketching marine subjects. Ritschel studied art at the Royal Academy in Munich under Karl Raupp and Ernst Kaulbach before moving to New York City in 1895. In 1911, he settled in Carmel, California while continuing to exhibit both on the East Coast and in Europe. His paintings of the ocean earned him international acclaim and, in 1914, he was elected to membership of the National Academy. In 1918, he began construction on his stone-built house and studio, 'Castellammare', situated in the Carmel Highlands overlooking the Pacific ocean. This castle-like structure would remain his home for the rest of his life. Here he would live and paint and, from here, he would venture forth to travel the world, particularly to his beloved South Seas. Over the course of a long and celebrated career, William Ritschel exhibited widely and with success. He was the recipient of numerous prizes, medals and juried awards including from the National Academy of Design, 1913 (prize), 1921 (prize), 1926; National Arts Club, 1914 (gold medal); Panama-Pacific International Exposition, 1915 (gold medal); California State Fair, 1916 (gold medal), 1926 (1st prize); Philadelphia Arts Club, 1918 (gold medal); California Watercolor Society, 1921-23; Salmagundi Club, 1923 (Isador prize), 1930; Art Institute of Chicago, 1923 (prize); Royal Academy, 1924; Paris Salon, 1926 (honorable mention); Stendahl Gallery (LA), 1929; Santa Cruz Art League, 1937 (prize); Biltmore Salon (LA), 1944; and the Pennsylvania Academy of Fine Arts. Ritschel was also an active member of national and international art organizations including the New York Watercolor Club, American Watercolor Society, Carmel Art Association, Bohemian Club, Société Internationale des Beaux Arts et des Lettres (Paris), Kunstverein (Munich), Academy of Western Painters (LA), Allied Art Association, National Academy, and the National Arts Club. His work may be found in the permanent collections of museums nationwide including the National Arts Club; NMAA; Monterey Peninsula Museum, Pennsylvania Academy of Fine Arts, Oakland Museum, Fort Worth Museum, St. Louis Museum, Bowers Museum (CA), Detroit Art Club, Art Institute of Chicago, Los Angeles County Museum of Art, Minneapolis Museum, Crocker Museum (CA), Irvine Museum (CA), Orange County Museum (CA). Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, page 2779; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 11, page 730; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 28, page 383; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 2, page 938; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 372; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 787; American Art Annual 1919-33; NY Times, 3-13-1949 (obituary); et al.
  • Creator:
    William Ritschel (1864 - 1949, German)
  • Creation Year:
    Circa 1925
  • Dimensions:
    Height: 13 in (33.02 cm)Width: 15.5 in (39.37 cm)Depth: 0.13 in (3.31 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    minor restoration, age-related craquelure, pigment is stable with no evidence of delamination; unframed; shows well.
  • Gallery Location:
    Santa Cruz, CA
  • Reference Number:
    1stDibs: LU34413997402

More From This Seller

View All
'Rivière de Mon Paix', Pair of Fine French Impressionist Oils, Musée d'Orsay
Located in Santa Cruz, CA
'Rivière de Mon Paix', Pair of Fine French Impressionist Oils, Musée d'Orsay, Luxembourg Museum. --- Raoul André Ulmann (French, 1867-1941) Each signed, 'R.A. Ulmann' and offered a...
Category

1920s Impressionist Landscape Paintings

Materials

Oil, Panel

'Rivière de Mon Paix', Pair of Fine French Impressionist Oils, Musée d'Orsay
Located in Santa Cruz, CA
'Rivière de Mon Paix', Pair of Fine French Impressionist Oils, Musée d'Orsay, Luxembourg Museum. --- Raoul André Ulmann (French, 1867-1941) Each signed, 'R.A. Ulmann' and offered as ...
Category

1910s Impressionist Landscape Paintings

Materials

Oil, Panel

'Elsonore Coast and the Øresund Straits, Denmark', SFAA, California Artist
By Frederick Korburg
Located in Santa Cruz, CA
Signed lower right, 'Fred Korburg' and dated 1969; additionally signed, dated and titled verso, 'Coast at Elsinore, Denmark'. Provenance: Los Robles Galleries, Palo Alto, California....
Category

1960s Post-Impressionist Landscape Paintings

Materials

Oil, Board

'Santa Barbara Bird Sanctuary', Ventura Art Museum, Large Oil, UCSB, MFA, PAMF
By Richard Schloss
Located in Santa Cruz, CA
Initialed lower right, 'R. S.' for Richard Schloss (American, born 1953) and dated 1982; additionally signed and dated, verso. A substantial and luminous landscape by this well-lis...
Category

1980s Impressionist Landscape Paintings

Materials

Canvas, Oil

'Hungarian Landscape with Farmhouse', Munich School, National Academy, Budapest
Located in Santa Cruz, CA
Signed lower right, 'Komaromi-Kacz' for Endre Komaromi-Kacz (Hungarian, 1880-1969) and titled, 'Molm'. Born in Komarom, Kacz was initially a pupil of Eduard Ballo, a painter of port...
Category

1920s Impressionist Landscape Paintings

Materials

Board, Oil

'Evening Light, Rocky Shore', American School Impressionist Seascape, Pacific
Located in Santa Cruz, CA
A late 19th century, American School seascape showing a lyrical view of sunlit waves flowing in towards a rocky beach. The unknown artist shows excepti...
Category

1880s American Impressionist Landscape Paintings

Materials

Oil, Board

You May Also Like

Moonlit Tranquility: Hugo Carlberg’s Atmospheric Nocturne, c. 1910–1913
Located in Stockholm, SE
A rare and poetic nocturne by Swedish artist Hugo Carlberg, Moonlight evokes the hushed stillness of a moonlit landscape. Silvery reflections shimmer across the water as tall trees c...
Category

1910s Post-Impressionist Landscape Paintings

Materials

Oil, Board

Claire de Lune - Moonlight - British 1916 Impressionist landscape oil painting
By Joseph Vickers De Ville
Located in London, GB
This stunning British Impressionist landscape oil painting is by noted British artist Joseph Vickers de Ville. It is entitled Clair de Lune verso and dated 1916-1919. Clair de Lune, ...
Category

1910s Impressionist Landscape Paintings

Materials

Oil

Moonlit Reflections, Heyst-sur-Mer. Painted 1884
By Elias Erdtman
Located in Stockholm, SE
Elias Erdtman (Sweden, 1863–1945) Moonlit Reflections, Heyst-sur-Mer oil on canvas laid on board signed E. Erdman och daterad -84 unframed: 29 x 18.5 cm (11.4 x 7.3 inches) framed:...
Category

1880s Impressionist Landscape Paintings

Materials

Canvas, Oil, Board

Fishermen at the Moonlight - German Art Impressionism
Located in London, GB
This work is hand signed by the artist at the lower right part. The work is inscribed in pencil on the reverse Condition: Good condition apart from a few scratches with minor paint loss. Note: This work will be shipped from Israel.
Category

20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

"Moonlit River Scene", Early 20th Century Oil on Canvas by Luis Graner y Arrufi
By Luis Graner Y Arrufi
Located in Madrid, ES
LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L. Graner, 1925" (lower right) Oil on canvas 20-1/8 X 30 inches (51X 76 cm.) framed: 25-3/4 X 35-3/4 inches (65 X 90.5 cm.) PROVENANCE NEAL AUCTION COMPANY, New Orleans, LA, USA Private Collection, Barcelona Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...
Category

1920s Realist Landscape Paintings

Materials

Canvas, Oil

Late 19th Century Maine Seascape
By Constantin Aleksandrovich Westchiloff
Located in Soquel, CA
Evocative seascape, circa 1900, by artist Constantin Alexandrovitch Westchiloff (1877-1945) Signed on bottom left corner and on verso. Titled "Maine" on verso. Presented in a contemporary giltwood frame. Image size: 9"H x 12"W. Framed size: 10.60"H x 14"W x 1"D Westchiloff is an American-Russian artist. He was born in Russia in 1877, and studied at the Academy of Fine Arts in St. Petersburg; as an artist he traveled extensively in Europe and in the USA. He finally settled in New England, where he died in 1945. He is probably best-known for seascapes (particularly of the New England coastline), but was also well regarded for his landscapes, portraits and figures, and genre subjects. His work, especially after his travels in Europe and then in America, is closest to Impressionist in style. His favored medium was oil, which was well suited to his confident and strong technique. This in turn imbued his paintings of the rugged landscapes and seascapes of New England...
Category

Early 1900s American Impressionist Landscape Paintings

Materials

Linen, Oil, Cardboard