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Yuliya MartynovaMigration Story of Two, Ghosts, Original painting, Landscape, Abstract2023
2023
About the Item
STORY: The Migration collection is intended to capture the subject of departure focusing on positive aspect of separation, leaving, breaking ties, closing the old chapter and starting anew. The paper airplane objects representing the dynamic force and a faceless portrait of a traveler, explorer and a pioneer. Simple light emotion of this flying element takes you to those carefree childhood memories, full of play time and moment when one explores physical nature. Imposing or sometimes enveloping this symbol with the clouds I strengthen the message to emphasise the scale of ever-changing terrain around us. The clouds are big, strong, dominating. But full of detail and complexity. In contrast, the paper planes are small, fragile yet perfectly built to take on a flight of undefined trajectory. These little vessels are not meant to be this high up, naturally. However, just like us, they find themselves redefining the limits. Empowered within. Also the detail that connects paper airplanes comes from my Connected series on paper. Visual form showing companionship is found in every journey we take and unites two of my signature collections.
ADDITIONAL INFORMATION:
Canvas, Oil Paint on Canvas
150 H x 100 W x 3 D cm (59.06 x 39.37 x 1.18 in)
Sold unframed
Please note that insitu images are purely an indication of how a piece may look
SIZE:
Image size:
Height: 150cm (59.06 in)
Width: 100cm (39.37 in)
Complete size of unframed painting
Height: 150cm (59.06 in)
Width: 100cm (39.37 in)
Depth: 3cm (1.18 in)
ARTIST BIOGRAPHY:
Yuliya is a mix media artist working on several signature collections. She draws beauty in her surroundings and not afraid to venturing out to explore new directions. Drawings, oil painting, watercolour on paper and canvas, her varied work is seamlessly united by a distinct flow and unmistakably unique elegance.
I was born in Kazakhstan (Aktau) on the shores of the Caspian Sea in a small oily town in the middle of the desert. Spent most of my happy childhood summers in leafy North Kazakhstan (Shuchinsk) at grand mother's farm house, foraging in the forest, swimming in the lakes and looking after animals. Later in life my parents (both engineers) chose for me to go study Law driven by prestige of the occupation.
Art classes was a parallel activity during my school years since the age of 10 and despite high praising from the teachers art was dismissed as a career direction due to being unpractical. I have then spent 15 years in quasi legal career in banking, oil and gas, private clients and consulting industries both in Kazakhstan and the UK before one day deciding to abandon the office all together to give myself a chance to become a serious artist.
The subject matter is often to lift the weight of existence and find a thread that pulls you forward to evolve and change yourself or your attitude towards challenging circumstances in life.
Inspiration comes within. The final outcome of the artwork is often uncertain. Where do you draw a last line is existential to every piece I consider finished. It starts with need to lock myself in the studio room and find way to the outer places within.
Yuliya is a mix media artist working on several signature collections. She draws beauty in her surroundings and not afraid to venturing out to explore new directions. Drawings, oil painting, watercolour on paper and canvas, her varied work is seamlessly united by a distinct flow and unmistakably unique elegance. I was born in Kazakhstan (Aktau) on the shores of the Caspian Sea in a small oily town in the middle of the desert. Spent most of my happy childhood summers in leafy North Kazakhstan (Shuchinsk) at grand mother's farm house, foraging in the forest, swimming in the lakes and looking after animals. Later in life my parents (both engineers) chose for me to go study Law driven by prestige of the occupation. Art classes was a parallel activity during my school years since the age of 10 and despite high praising from the teachers art was dismissed as a career direction due to being unpractical. I have then spent 15 years in quasi legal career in banking, oil and gas, private clients and consulting industries both in Kazakhstan and the UK before one day deciding to abandon the office all together to give myself a chance to become a serious artist. The subject matter is often to lift the weight of existence and find a thread that pulls you forward to evolve and change yourself or your attitude towards challenging circumstances in life. Inspiration comes within. The final outcome of the artwork is often uncertain. Where do you draw a last line is existential to every piece I consider finished. It starts with need to lock myself in the studio room and find way to the outer places within.
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