Margot Glass

White Campion, Metallic Gold Flowers, Leaves, Stem Botanical, Black Panel

2022

In this painting in acrylic on canvas mounted on a shaped panel, carefully ordered blocks of color in a deep shade of dark cobalt blue with a thinner block in purple are vibrant agai...

In this abstract painting in acrylic on linen mounted on panel by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of magenta pink and green with hin...

Painting of Figures at the Empire State Building in New York City at Night by Contemporary British Artist, Angela Wakefield. Part of her New York Series. This original illustrates An...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...