Bomior after Diego Velazquez

Bomior after Diego Velazquez (1599-1660) - 1974 Oil, Rokeby Venus

1974

This evocative painting depicts a reclining nude figure nestled within vibrant red-orange cushions or fabric, creating a striking contrast with the subject's pale skin tones. Signed ...

A charming oil study depicting a nude model seated on a bed. The artist captures the scene in a soft palette, emphasising the muted softness of the mid 20th century style. Unsigned. ...

A wonderful nude study of a seated female figure. Completed with expressive brushwork and a warm, neutral colour palette. Signed illegibly to the lower right corner. On canvas on str...

A wonderful mid 20th century oil depicting a nude lady. The artist has sensitively recorded the subject using a muted palette and soft yet gestural brushstrokes, evoking a sense of q...

Copy of a painting titled "Nude" showing classical rendering of partially clothed nude on bed with pillows.

Pauwels Franck, known as Paolo Fiammingo (Antwerp, 1540 - Venice, 1596) Venus lying in a landscape Oil on canvas 116 x 150 cm. In antique frame 136 x 170 cm. The work is accompanied by a critical card by Dr. Federica Spadotto The splendid painting proposed sees portrayed, bare and stretched out on a red brocade cloth in gold sprinkled with roses, a refined and sensual Venus, in a composition with a profound symbolic value, and arriving at the perfect representation of the Renaissance woman who, like Venus, becomes an allegory love, eros, beauty and fertility. The canvas is part of the prestigious Venetian artistic and cultural environment of the second half of the sixteenth century, whose distinctive distinctive trait can be traced back to its cosmopolitan vocation. This characteristic, as Dr. Spadotto noted in her in-depth study, belongs to the same physiology of the Venetian capital, that is, being a distinctly commercial city located in a strategic point with respect to trade. Representing one of the liveliest ports in the Mediterranean also meant witnessing the continuous passage not only of goods, but of men, ideas, suggestions from distant countries, which influenced not only the taste of their people, but above all art. This happened thanks to the circulation of prints, as well as pictorial specimens, to which are added the stays of great foreign artists and, above all, the permanence in the capital of a non-negligible number of Dutch, Flemish and German masters. An emblematic case in this regard comes from Pauwels Franck (Antwerp, 1540 - Venice, 1596), better known as Paolo Fiammingo, who established himself in his native city at a young age - in 1561 a figure enrolled in the Guild of San Luca - and arrived in Venice in 1573. . He resided in Venice from 1584 until his death, although the stylistic and formal references of some of his works have led critics to believe that in previous years he had undertaken a journey to central Italy, or to Florence and Rome, where he would have metabolized the lively cultural debate that permeated these cities and which, on the other hand, seemed completely absent in Venice. Here Paolo will be fascinated by the sense of color and by the atmospheric component fixed on the canvas by Jacopo Tintoretto (Venice 1518 - 1594), of which he becomes a collaborator, to undergo, around 1590, the suggestion of Paolo Caliari...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Style: Classic Figurative Year: 1999 Title: Venus Size: 11" x 15" x 0....

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 26 by 34 inches overall and 20 by 28 painting alone. In excellent condition. Handsomely framed in a period ar...