Charles Picart le Doux

Charles PICART LE DOUX, The Beautiful Girl, Oil on Canvas, 1939

1939

Oil on isorel panel by Charles PICART LE DOUX (1881-1959), France, 1949. Model on green background. With frame: 97.5x76.5 cm - 38.4x30.1 inches ; without frame: 81x60cm - 31.9x23.6 i...

Large oil on canvas by Fernande Horovitz-Edwards, France, 1930s. "Bathers". With frame: 117,5x90x4 cm - 46.3x35.4x1.6 inches. Without frame: 114x87 cm - 44.9x34.25 inches. Signed low...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1924. The Italian. Very beautiful work where post-impressionism embellished with a few cubist touches form a harmonious w...

Oil on canvas by Dominique PERY, France, 1987. Nude named "Marianne". 73x60 cm - 28.75x23.6 in. 20F Format. Signed "D.Péry" lower right (see photo). Countersigned twice and dated 198...

Oil on canvas by Robert Louis Raymond DUFLOS (1898-1929), France, 1920s. Naked woman lying in front of her mirror. With frame: 95x61.5 cm - 37.4x24.2 inches - without frame: 73x40cm ...

Oil on canvas signed R.B.FELTRAP, France, 1937. Nude. With frame : 101.5x82.5 cm - 40x32.5 inches ; without frame : 92x73 cm - 36.2x28.75 inches. Format 30F. Signed and dated "R.B.Fe...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Rebecca Couchée by JULES PASCIN (1885-1930) Oil over pencil on canvas 73.1 x 91.8 cm (28 ¾ x 36 ⅛ inches...

Nude Portrait by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Beige colors, beige, brown, blue , green ...

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Oil measures 33x41 cm. Frame 50x58 cm. Catalan painter trained in Olot and the Llotja in Barcelona, ​​where he was a disciple of Lluis Muntané. Through his travels he completes his ...

Large vintage nude portrait oil painting of a woman sitting. This is a gorgeous, colourful and exceptional nude oil painting by Pio Santini, signed in the lower right. A young woman...

Henri Burkhard, Born in New York in 1892, began his studies at the Art Students league in New York and then pursued international studies at the Académie Julian, Acadêmie Colarissi, and Académie de la Grande Chaumière, Pariss. Once the artist returned to New York, he began to exhibit frequently frequently at the Whitney Museum of American Art in 1926-36; the Corcoran Gallery, Art Institute of Chicago, and the Pennsylvania Academy of Fine Arts in the 1930's. Works by the artist have been handled and sold over the last hundred years at major American auction houses and dealers, such as Heritage...