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French SchoolAntique French Classical Study of the Male Back Nude Drawing 19th Century
$1,226.41
£900
€1,060.74
CA$1,687.89
A$1,881.33
CHF 987.07
MX$22,974.13
NOK 12,498.46
SEK 11,812.94
DKK 7,916.77
About the Item
Study of the Male Back
French School, early/ mid 19th century
charcoal on artist paper stuck on board, glass covering framed
framed: 13 x 9 inches
board : 12 x 8 inches
Provenance: private collection, France
Condition: the top edge of the paper is heavily worn as shown in the photos but the overall image itself is in very good condition.
Description:
This striking charcoal drawing captures a detailed and anatomically precise study of a male figure's back, rendered in the classical academic style. The artist demonstrates exceptional skill in capturing the intricate musculature and contours of the human form, emphasizing strength and grace with masterful shading and delicate linework.
For more any more information please do contact us with any questions you may have. Thank you.
- Creator:French School (1924, American)
- Dimensions:Height: 13 in (33.02 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cirencester, GB
- Reference Number:1stDibs: LU509315633272
Born in 1924 in Maryland USA. This artist was self - taught, but after intensive study of the great master techniques and methods, has interpreted them into a very personal and unique style. Bensons subtle blend of colors, lightening and attention to detail, adds to the mood and character of the subject.

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Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style.
Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist.
Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA.
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