Jon Blanchette

Mid Century Nude Study, Reclining Figure on Blue

1959

Reclining Nude Figure in Oil on Linen This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California art...

A nude portrait of a demure young lady seated on an antique couch in a library setting by Margaret Wherry Ziegler (American, 1909-1989). Signed with monogram "MWZ" top right, and on verso. Unframed. Image, 24"H x 12"L. Ziegler studied at Cincinnati Art Academy, Minneapolis Art...

Black and White Figurative Nude - Oil on Canvas Black and white figurative nude by F Vasquez (20th C). The nude torso of a woman takes up the canvas. Her right hand is on her hip wh...

"Belle Saison" The Beautiful Season - Figurative Nude Study Nude study of a standing woman encapsulated in a golden surrounding with stratified textures on either side by Andrzej Malinowski (Polish, 1947-). The woman has bright orange hair, pulled back, wearing nothing but an orange sarong. Her eyes are closed, with a graceful, poised appearance. The woman in encapsulated in a golden background with stratified leaf textures on each side. The texture depicts tones of orange, blue, yellow and greens. Signed "A. Malinowski" lower right. Presented in a giltwood frame. Image with frame: 48"H x 41"W Image: 38.5"H x 31.5"W Andrzej Malinowski was born in Warsaw, Poland in 1947. He worked as artist, painter, graphic designer, illustrator, and poster creator. He resides and works in France. In his youth, Andrzej Malinowski drew inspiration from the works of Vermeer and Rembrandt. In 1973, he graduated from the Warsaw Academy of Fine Arts in the Illustration Department. After obtaining his diploma, he moved to Paris, where he continues to live and create. In 1982, he was granted French citizenship. During the initial period of his stay in France, Malinowski was engaged in artistic direction, creating audiovisual presentations, television programs, graphics, illustrations, and posters. During this time, he won awards in the field of posters and illustrations. In 1977, he received the First Prize for the poster for the film The Exorcist at the Deauville Film Festival, as reported, among others, by French newspaper Le Parisien. Andrzej Malinowski collaborated with the most prominent film directors. Those include: Andrei Tarkovsky (Nostalghia, 1983), Jerzy Skolimowski (Success Is the Best Revenge, 1984), Andrzej Wajda (The Possessed...

Allen Dean Cochran’s Nude Woman Sitting by Stream is a captivating exploration of serenity and nature, rendered in vibrant hues of green and blue. The painting features a nude woman ...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resting her head on her arm. Signature: Signed lower right and titled on original artist's label verso Dimensions: Framed: 16"x19" Unframed: 10"x13" Provenance: Original artists label verso for Georges Lemmen at 96 Avenue Coghen , Brussels Private collection - Brussels Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

Joseph Tomanek was born in Czechoslovakia in 1889. He studied at the School of Design in Prague. Tomanek immigrated to the United States around the turn of the century and settled in...

"Spanish Gown" is possibly signed lower right. A painterly American Impressionist work beautifully captures a nude woman stepping from a golden gown. The painting is reminiscent of t...