Lauren Rinaldi

"Paradox" Nude Woman Wearing Lipstick and Red Cloak

2023

"Phase 3: Struck, Half Full" is an original piece by Lauren Rinaldi made from oil on canvas. This piece measures 8"h x 8"w unframed. Lauren Rinaldi (b. 1983, Brooklyn, NY) is an Am...

"Phase 6: Honeyed" is an original piece by Lauren Rinaldi made from oil on canvas. This piece measures 8"h x 8"w unframed. Lauren Rinaldi (b. 1983, Brooklyn, NY) is an American art...

"Phase 7: Last Quarter, Eclipsed" is an original piece by Lauren Rinaldi made from oil on canvas. This piece measures 8"h x 8"w unframed. Lauren Rinaldi (b. 1983, Brooklyn, NY) is ...

This piece titled "Lizard Barbie" is an original artwork by PJ Linden and is made from acrylic, dimensional paint on a wood panel. This piece measures 38”h x 25.25”w framed. In the ...

'Figure No. 46, 2011' by John Goodman. The artwork is 52 x 32 inches.Artist signed and dated. Condition is excelllent. Goodman’s signature restrained palette and impasto brushwork d...

The piece is based in the narrative poem Paradise Lost, written by John Milton in 1667. The author does a self-interpretation of Adam and Eve’s original sin and their later exile fro...

This classically painted figure study demonstrates the artists understanding of the human figure. A study for a series of larger paintings based on motion capture studios. Here the model is placed in a contrived position on a midcentury modern chair surrounded by props used in the motion capture process. Andrew S. Conklin Maro on Chrome & Yellow Vinyl Modern Side Chair, 2016 oil on panel 18h x 13w in 45.72h x 33.02w cm Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

This classically painted nude model study demonstrates the artists understanding of the human figure. Surrounded by loosely painted lush fabrics, the model lies in a reclining position, her eyes closed, wearing only a pair of slippers. The quick, confident brush strokes in the background, combined with deft handling of paint in the figure combine to make this a painting for all time. Andrew S. Conklin Maureen Reclining oil on panel 10h x 14w in 14h x 18w in framed Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...