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Beltran BofillReclining Woman with Flowers oil on canvas paintingc.1980
c.1980
$9,448.45
£7,113.23
€8,000
CA$13,015.86
A$14,576.94
CHF 7,606.01
MX$178,051.07
NOK 96,770.57
SEK 91,217.86
DKK 60,897.08
About the Item
Title: Reclining Woman with Flowers
Artist: Joan Beltrán Bofill (Badalona, 1934 – Palma de Mallorca, 2009)
Technique: Oil on canvas
Dimensions: 73 × 100 cm (approx. 28.7 × 39.4 in)
Signature: Signed lower right: beltran bofill
Stamp on reverse: Oval stamp with the artist's name
Condition: Excellent. Stable surface with no visible craquelure or paint loss.
Presentation: Unframed
Provenance: Private collection
Description of the Artwork
This painting depicts a young woman gracefully reclining over a table covered with a delicate cloth. Her pensive expression evokes a serene moment of introspection. Arranged naturally around her are vases of flowers, fruits, and a closed book — all carefully composed in a warm and balanced scene. The palette of ochres, pinks, and creams, combined with a fluid and expressive brushstroke, creates an intimate and contemplative atmosphere.
The painter's handling of light is both sensitive and masterful, enhancing the volume and mood of the composition. Soft, diffused lighting from the right gently illuminates the woman's face and the still life objects, freezing time in a moment of quiet beauty.
This is a quintessential work by Joan Beltrán Bofill, featuring his signature themes: the feminine figure, domestic interiors, flowers, fruit, literature, and an impressionistic aura of quiet emotion.
Artist Biography: Joan Beltrán Bofill (1934–2009)
Joan Beltrán Bofill was born in Badalona in 1934. He studied at Casa Lonja and the Escola de Belles Arts Sant Jordi in Barcelona. His artistic path solidified during his military service in Mallorca, where he came into contact with painter Hermen Anglada Camarasa, whose influence would deeply shape Bofill's use of light and Mediterranean color.
In the 1970s, he began working professionally as a painter. His figurative and impressionist work is defined by vibrant palettes, loose brushwork, and compositions centered on female figures, delicate interiors, and poetic atmosphere. His paintings were exhibited in Palma, Barcelona, Madrid, Paris, New York, Chicago, Palm Beach, Monaco, and Tokyo. He was represented in the United States by the prestigious Wally Findlay Galleries.
In his early years, he also worked as an illustrator, collaborating with the RBA publishing house for the El Molino collection. He died in Palma de Mallorca in 2009.
Related Artists
Hermen Anglada Camarasa – direct influence on his treatment of light and color
Joaquim Mir – for expressive color and mood
Santiago Rusiñol – for symbolic interiors with flowers
Joaquín Sorolla – for natural light and fluid brushwork
Ramón Casas – for elegant female figures in domestic settings
Gustav Klimt – in his decorative and contemplative exploration of femininity
- Creator:Beltran Bofill (1934, Spanish)
- Creation Year:c.1980
- Dimensions:Height: 28.75 in (73 cm)Width: 39.38 in (100 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Barcelona, ES
- Reference Number:1stDibs: LU1155216618822
Beltran Bofill
Joan Beltran Bofill (Badalona, June 17, 1934 - Pollença, April 14, 2009) was a figurative painter with noisy connotations. He studied at the Sant Jordi Royal Catalan Academy of Fine Arts and at the Llotja school in Barcelona. As a young man he worked for RBA in the El Molino collection, illustrating, among others, works by Agatha Christie. His first contact with the island of Mallorca was when he joined the ranks in Pollença. That light and landscape provided him with idyllic conditions that he masterfully reflected in his works. He exhibited at the Wally Findlay Galleries International Galleries (Paris, New York, Chicago, Palm Beach). From 1960 to 1973 he left painting in the background. In 1984 he published the book "Beltran Bofill". Until the last few days, he continued to search for the themes that were his source of inspiration in the light and landscape of Pollença.
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