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Charles JervasPortrait Of Lady Margaret Hasting, as a Shepherdess 18th Century CHARLES JERVAS
$11,801.97
£8,500
€10,163.78
CA$16,204.49
A$18,162.46
CHF 9,508.29
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NOK 119,441.93
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DKK 75,822.38
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Portrait Of Lady Margaret Hasting, posing as a Shepherdess 18th Century
CHARLES JERVAS (1675-1739)
Large 18th Century portrait of Lady Margaret Hasting, oil on canvas, by Charles Jervas. Excellent quality and condition there quarter length study of Lady Hastings of Donnington Park, daughter of the Earl Of Huntingdon, before her marriage to Reverend Benjamin Ingham. Portrayed in the humble attire of a shepherdess in a white satin dress, crook, straw hat with a red bow. Presented in a good period gilt frame.
Provenance:: Private estate, Wiltshire, UK
Measurements: 58" x 48" framed approx
Charles Jervas was a student of Kneller's in London. According to Walpole, Norris, the keeper of King William and Queen Anne's paintings allowed Jervas to make numerous copies of works in the royal collection. Jervas then sold these to Dr Clark of Oxford and used the proceeds to travel to Paris and Italy. On his return, he met with success and made an advantageous marriage to a rich widow which allowed him to establish himself well in London.
Jervas was appointed first painter to George I and later to George II. He was an intimate friend of Pope, Addison and Swift and was considered the best portrait painter of his time. Posterity has not, however, shared this opinion and later criticism has been somewhat harsh considering that Jervas was not without merit. Of late, his work has been seen in a more favourable light.
In 1738, Jervas travelled to Italy a second time, for his health; however, he did not remain there preferring to return to London where he died.
Jervas possessed a remarkable collection of objets d'art. It took nine days to sell his paintings, statues, porcelain items and other effects, while his drawings, divided into 2,275 lots, required 25 days of auctions. He also made a translation of Cervantes' Don Quixote, which was published posthumously in 1742 under the name Jarvis.
Museum and Gallery Holdings
London (National Portrait Gal.): Alexander Pope (1713-1715, oil on canvas, attributed); Jonathan Swift (c. 1718, oil on canvas); Caroline Wilhelmina of Brandenburg-Ansbach, Princess of Wales(1727, oil on canvas, studio work); William Augustus, Duke of Cumberland as a child (c. 1728, oil on canvas)
- Creator:Charles Jervas (1670 - 1739, Irish)
- Dimensions:Height: 58 in (147.32 cm)Width: 48 in (121.92 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Blackwater, GB
- Reference Number:1stDibs: LU1577216255362
Charles Jervas
Charles Jervas was born in Dublin in 1675 who later lived in England. After moving to England, Jervas became an apprentice to the painter Sir Godfrey Kneller. He later studied drawing in Rome and then returned (c. 1709) to England. Succeeding Kneller, he became court painter to the English kings George I and George II. His home became a centre for literary figures, among them Alexander Pope and Jonathan Swift, whose portraits Jervas painted, in addition to that of George II (1728). He produced a translation of Miguel de Cervantes’s Don Quixote (published posthumously, with his surname spelled Jarvis, in 1742).
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